Abraham Babajide Cole
Lives and works in London, UK
Artist statement
Artist Statement My practice begins with the body as an archaeological site: a place where memory, movement, ancestry and lived experience accumulate in layers. Working across painting, drawing, sculpture and installation, I explore what the body carries when it moves between places, cultures and histories, and how those experiences become embedded materially and psychologically. I work with charcoal, clay, beeswax, pigment, fibre, paper and other organic materials because of their capacity to hold traces of touch, labour, transformation and time. Materials are not simply a means of making an image; they become part of the meaning of the work. Drawing from Yoruba cosmology, personal memory and research into migration, landscape and material histories, I construct fragmented figures, vessels and environments that move between the bodily and the architectural, the intimate and the ancestral. Increasingly, I am interested in the body as both archive and landscape: something continually rewritten by the spaces it enters. Through this, my work considers belonging not as a fixed identity, but as an ongoing process of remembering, becoming and carrying elsewhere within us.
Artwork
- Elsewhere has entered the body, 2026. Terracotta Clay, Tree back and thread
- Where the body begins, 2026. Terracotta Clay and Tree back
- Body Leave Enter, Body Leave Remain, 2026. Beeswax, Coffee, Clay, Thread and Charcoal on Coffee Sack and Paper
- Where the Body Goes from Here , 2026. Beeswax, Coffee, Clay and Charcoal on Paper
- The Host, 2026. Beeswax, Coffee, Clay and Charcoal on Paper
- The Man Before Me, 2026. Beeswax, Coffee, Clay and Charcoal on Paper
- I am King , 2025. Charcoal, oil stick and indigo ink on paper
- Trinity, 2025. Charcoal, oil stick and indigo ink on paper
- The Body, 2026. Terracotta, coffee, beeswax and coal residue