Adam Basanta
Lives and works in Montreal, QC, Canada
Artist statement
My work investigates technology as a meeting point of concurrent, overlapping systems; a nexus of cultural, computational, biological, and economic forces. In uncovering, augmenting, and creating systems of intertwinement, I am trying to touch a sense of “liveness” or a nearly- living quality, the dynamism resulting from the unpredictable performances of various actants pulling independently in collective balance. Through a variety of media - installation, kinetic sculpture, sound, computational image-making - I employ the visual culture of commercial technologies as a core vocabulary, displacing them into an artistic context. Placing technologies in unconventional and absurd relationships to one another, I aim to create a fissure in their conventional functions, reflecting on their roles as contemporary prosthetics with which we co-exist in a hybrid ecology. My research and creation processes involve a balance of qualitative and quantitative approaches. I am particularly interested in the interplay between the two seemingly polar- opposite, binary viewpoints, and strive towards a cross-pollination in which one feeds and complicates the other, and vice versa.
Artwork
- Window Mediation, 2021. Wall mounted sculpture, 2 channel video. 2021. 30” x 48” x 8”. Reclaimed LCD screens, 2 channel video, ccfl backlights, led strips, prismatic filter, raspberry pi, electronics, acrylic, steel, hardware.
- The Unknown Future Rolls Towards Us, 2019. Mixed media installation.
- The Water and The Sower, 2020. Mixed media installation (Physical installation and multi-webcam 24/7 live stream.)
- Passenger Seat, 2021. Living sculpture: Reclaimed car seat, spray paint, clay pot, 12v computer fan, metal springs, Dracana fragrans.
- All We'd Ever Need Is One Another (Trio), 2019. Mixed media installation: 3 flat bed scanners, 4 networked PC computers, large format printer, office supplies, office light, inkjet prints, website, twitter, instagram.
- A Large Inscription, A Great Noise, 2019. Mixed-media installation. Microphones, mic stand, amplifiers, gravel, cement, cable, steel, motor, electronics.
- Curtain (white), 2016. Sound installation: 240 pairs white earbuds, acrylic, electronics, 24 channel sound.
- Landscape Past Future, 2019. Computer-generated aggregated collage. Archival pigment print.
- The Sound of Empty Space, 2015. Sound installation