Alexander Shchurenkov
Lives and works in New York, USA
Artist statement
Alexander Shchurenkov’s practice engages with the emotional and political realities of queer life across borders—shaped by a personal history in Russia and a present lived in the United States. Born into a society where LGBTQIA+ visibility once seemed possible, the artist witnessed that brief window close with alarming speed. Today, with anti-queer rhetoric and legislation rising globally—including in the U.S.—their work responds to a growing sense of déjà vu, urgency, and resistance. Through sculpture and installation, Alexander Shchurenkov explores the quieter, often overlooked terrain of queer existence: isolation, addiction, displacement, and the fragile process of self-preservation. Their use of material and form challenges popular representations of queer identity, resisting the glossy narratives in favor of deeper, more complicated truths. Familiar codes and clichés are not simply cited but questioned, destabilized, and reimagined. Central to this practice is the idea that safety is not a given, and that for many queer people, “home” is something built—not found. It must be assembled piece by piece, sometimes far from where one began, often in defiance of the systems that seek to erase it. Alexander Shchurenkov’s work offers a space to reflect on that ongoing construction: of identity, of memory, and of survival.
Artwork
- Closeted (I), 2025. metal, acrylic glass, C-prints, cross and Superman pendants, metal paper clips,
- After (B&S), 2024. High-polished stainless steel, brass doorknobs, metal pendants with Batman's and Superman's logo chain
- After (Party), 2024. High-polished stainless steel, brass doorknob, polyester mesh tank tops, two textile cords with metal clasps
- After (Silk), 2024. High-polished stainless steel, metal doorknob, vintage Hermès silk tie
- After (Sparkle), 2024. High-polished stainless steel, metal doorknob, sequined polyester tank top
- Untitled (Portrait of Two), 2024. Brass, black and white photograph made in a photo booth, jade, golden confetti
- Documentation of the Solo Show: "After", 2024. Installation Views
- Untitled (Q-House), 2023. Metal, plastic fuzzy garlands
- Stone-cold, 2021. Plywood, velvet used in funeral services
- E V I L, 2024. Velvet, steel, metal-alloy characters embellished with crystals
- House of Cards, 2024. Mass-produced stainless steel restroom shelves, folded one dollar banknote, four plastic cards (my first BoA card (blocked), London Underground Oyster card (last time used before Covid), Roosevelt Hotel Los Angeles guest card (checked out February 21, 2022), valid Unicredit credit card (useless everywhere outside of Russia))
- Gardens of Eden, 2021. Metal, plastic leaves and tubes, 16 types of postcards, coins, three-channel video, sound