Amir Hariri
Lives and works in New York, NY, USA
Artist statement
Do certain visceral qualities of urban decay influence our experiences, memories and, ultimately, our sense of history? To answer these questions, I use a multi-disciplinary approach to study specific locations through the opacity of distant recollections. My studies delve into the relationship between physical decay and deconstructive abstraction. Having been exposed to revolution/war as a teenager in Iran, my encounters with death/destruction have allowed me to draw parallels between building deconstruction and the despair, yet resiliency, of their exiled inhabitants. By blurring the boundaries between progress and ruin, I am making an observation regarding the misguided inevitability of evolution.
Artwork
- Non-Empty Many-Fold, 2019. wood with fasteners and Mylar
- Non-Empty Many-Fold, 2019. wood with fasteners and Mylar
- Non-Empty Many-Fold, 2019. wood with fasteners and Mylar
- Fracturing Half Moon, 2019. wood with fasteners
- Fracturing Half Moon, 2019. wood installation with acrylic wall drawing
- Fracturing Half Moon, 2019. cement, clay, plaster, water and wood with fasteners
- I See Again in Memory, 2018. cement, clay, plaster and wood with acrylic on board
- Facadism, 2018. cement, clay, plaster and wood with pen, pencil and acrylic on board
- Facadism, 2018. cement, clay, plaster and wood with pen, pencil and acrylic on board
- Cobweb Afternoon, 2019. acrylic and graphite with wood assemblage on board
- Fracturing Half Moon, 2019. acrylic with wood assemblage on board with wall drawing
- Bull Column, 2018. oil and acrylic on board
- Minotaur at the Gate, 2018. oil and acrylic on board
- Knight Shelter, 2018. oil and acrylic on board
- Exit Through the Void, 2018. oil and acrylic on board
- Desktop Planet Factory, 2018. oil and acrylic on board
- Death in the Afternoon, 2018. oil and acrylic on board
- Ruptured, 2018. oil and acrylic on board