Anunay Rai
Lives and works in New Delhi, Delhi, India
Artist statement
When I was 10 years old, I fell from a Guava tree and hit my head on a concrete slab. Surprisingly the slab cracked, and my head was unhurt. I have thought a lot about it but there cannot be any other reason for my love for concrete. While exploring different mixes, molds, and pigments more room was created for new materials and I started making my own substrates to work on. The forms are often derived from utilitarian objects. And the abstraction starts at the stage of substrate creation, where often random objects leave their impression and sometimes become a part of the work. The spontaneous impressions are a starting point for me to then work on with paints, pigments, coal, sawdust to even cow dung. Wood and wires hold them together both physically and conceptually. Working on multiple pieces at a time I like the energies and experiences of different days pour into the work. The tussle between a spiritual and secular life is the stimulus for my expressions. My work questions the fixed notion of beauty and explores the sculptural potential of paintings and vice versa. Inspired by Richard Artschwager, I do not want to fit into any category or be constrained by any medium. Education in Design and 17 years of experience in advertising gave me exposure to different mediums and visual language. No computer fell on my head, but I am currently exploring Generative Art with the possibility of rendering it to physical substrates. The Guava tree incident happened in 1990 in...
Artwork
- SELF PORTRAIT 092021, 2021. Water Soluble Graphite and Cow Dung on Concrete
- SELF PORTRAIT 102021, 2021. Water Soluble Graphite, Terracotta Dust and Acrylic on Concrete
- Tapovan No. 3, 2021. Acrylic, Water Soluble Graphite and Coal on Concrete and Wood
- The Broken Japa Mala No. 1, 2021. Acrylic, Ink, Coal and Cow Dung on Concrete and Wood
- Neti Neti ("neither this, nor that") No. 1, 2021. Acrylic, Water Soluble Graphite and Coal on Concrete and Wood
- Self Portrait 082021, 2021. Coal, Saw dust, Cow dung, Canvas belt with copper finish rivets on paper pulp and cement mix.
- IN PROCESS - NO.1, 2021. Ink and Acrylic on Concrete, wood and wire
- Weave No. 1, 2021. Printing Ink on Cement Mix. Concrete, wood and wire.
- Transcendental No. 1, 2021. Graphite and Acrylic on Cement Mix. Wooden Frame.
- Transcendental No. 2, 2021. Graphite and Acrylic on Cement Mix. Wooden Frame.
- Rented Accommodation No. 1, 2020. Acrylic on concrete.
- Rented Accommodation No. 2, 2020. Acrylic on concrete.