Aryana Minai
Lives and works in Los Angeles, CA, USA
Artist statement
My work is about the relationship between rest, protection, memory, and the spaces we construct to hold ourselves and others. I make paper-based wall reliefs that draw from architecture, landscape, and domestic space to think about what it means to feel safe enough to sleep, dream, and imagine a future. My understanding of these spaces comes from my childhood in Iran, where my bedroom, shaped through my mother’s labor and care, became an early model for how architecture can offer both physical and emotional protection. I approach building as an act of care and dreaming as an act of construction. Paper is central to how I explore these ideas because of its ability to absorb, hold, and transform. I press paper pulp against stained drop cloths from previous works, allowing residual pigment to absorb into new reliefs so that past works physically imprint themselves onto new ones. I also use woodblocks from Iran to impress patterns and forms into the paper, bringing another material history into the surface of the work. Fragments of iron gates collected in Los Angeles are embedded into the reliefs and softened through paper pulp, transforming structures associated with enclosure and defense into architectural and floral forms. Through these processes, materials from different places and moments are brought together to carry memory forward. Seed-like forms recur throughout my work as forms of safekeeping and possibility. They first emerged as I grappled with how to support the...
Artwork
- Evanescent, 2026. Handmade paper mounted on wooden panel
- Diaphanous mountain, 2026. Handmade dyed paper on panel
- Ruins, 2025. 979 Paper pulp bricks
- Luminaria, 2026. Dyed handmade paper molded from metal, on linen, mounted on panel
- Pale Flora, 2026. Dyed handmade paper molded from metal, on linen, mounted on panel
- Pollen, 2026. Dyed handmade paper molded from metal, on linen, mounted on panel
- Pod, 2026. Dyed handmade paper molded from metal, on linen, mounted on panel
- Trace, 2026. Handmade paper molded from metal, on skinned leaf, on linen, mounted on panel
- Afterbloom, 2026. Handmade dyed paper on panel
- Bedroom I, 2024. Dyed handmade paper mounted on panel
- Bedroom II, 2024. Dyed handmade paper mounted on panel
- Dream I, 2024. Dyed handmade paper mounted on panel
- Nest III, 2024. Dyed handmade paper, skinned leaf mounted on panel
- Nest VI, 2024. Dyed handmade paper mounted on panel
- Nest IX, 2024. Dyed handmade paper, skinned leaf mounted on panel
- Roses in a Garden of Ruins (Installation), 2023. 979 paper pulp bricks