Chris Soal
Lives and works in Cape Town, South Africa
Artist statement
Chris Soal (b. 1994) is a South African artist whose critically acclaimed sculptural practice—shaped by a Johannesburg upbringing and now based in Cape Town—has garnered international recognition for its innovative engagement with materiality, perception, and place. Soal’s studio-based practice is sculptural in its output, working with objects and materials in ways that show not only a conceptual engagement with the contexts and histories of the objects but also reinforce the body as a site for knowledge reception and production. His works seek to make a poetic statement through the simplest of means, engaging the viewer’s spatial awareness and perceptual habits while challenging core societal preconceptions of value and hierarchy. Through his use of discarded and mundane ephemera, such as toothpicks and bottle caps, along with concrete, rebar, electric fencing cable, sandpaper, and other industrial materials, the artist intuitively develops the familiar to the point of the uncanny. Soal's works can be considered as a social abstraction, deeply rooted in and reflective of his upbringing in Johannesburg, South Africa. Working symbiotically with his materials, Soal utilizes the inherent physical characteristics of the objects to transform them through processes of aggregation, combination, and erosion - seeking to foreground pressing ecological concerns by repositioning the viewer as an active agent within the contemporary environment. Despite the artificiality of his...
Artwork
- The expanse (To see the world in a grain of sand), 2024. Woodblock Impression on Eroded Sandpaper Rolls held by Acid- Free Tape, to be secured in place with Stainless Steel Pins. Sandpaper rolls: Norton P180.
- Threshold, 2023. Bamboo and Birch Wood Toothpicks, held in Polyurethane Sealant on Industrial Fabric.
- As below so above, 2021. Discarded Beer Bottle Caps threaded onto Electric Fencing Cable, held in Polyurethane Sealant on Board
- In contending with shadows, 2022. Burnt and Unburnt Bamboo and Birch Wood Toothpicks, held in Polyurethane Sealant on Industrial Fabric on Board
- Axis Mundi, 2021. Birch Wood, Concrete, Steel
- Terra nullius (The somewhere else is nowhere else), 2024. Burnt and Unburnt Bamboo Birch Wood Toothpicks held in Polyurethane Sealant, Glass Fibre Reinforced Concrete with Used Motor Car Oil and Rebar
- Lost in place, 2020. Discarded Beer Bottle Caps threaded onto Electric Fencing Cable, held in Polyurethane Sealant on Board
- Mother, 2021. Bamboo and Birch Wood Toothpicks, held in Polyurethane Sealant on Ripstop Fabric and Board
- With or without you, 2020. Discarded Beer Bottle Caps threaded onto Electric Fencing Cable with Burnt and Unburnt Birch Wood Toothpicks held in Polyurethane Sealant on Fibreglass, Board and Ripstop Fabric
- Gargoyle, 2023. Discarded Beer Bottle Caps threaded onto Electric Fencing Cable, held in Polyurethane Sealant on Board, Glass Fibre Reinforced Concrete with Used Motor Car Oil and Rebar
- Paniki, 2021. Found Beer Bottle Caps threaded onto Electric Fencing Cable, held in Polyurethane Sealant on Board.
- Relic, 2021. Glass Fibre Reinforced Concrete Reliefs
- Spolia, 2021. Discarded Beer Bottle Caps threaded onto Electric Fencing Cable, held in Polyurethane Sealant on Board