Christian Ruiz Berman
Lives and works in NYC, NY, USA
Artist statement
I was born in Mexico City and grew up in Mexico and in New England. I studied international relations at Duke University, and landscape architecture and painting at RISD. I’ve worked in environmental conservation, forestry, public art, and education. If life is a vast broth of tangled relationships and reactions, making art is how I chart my way through the soup. My work draws from histories of adaptation and migration, and as the son of a musician and a scientist, I find myself interested in the con- fluences of experimentation and improvisation. My painting practice is meditative in that it strives to dissect and understand the components of my experience and of my cultural and aesthetic legacy in a way that might give a greater understanding of the whole. Even as the symbols, architectures, and snippets of stories that I employ are deeply personal and autobiographical, I want my paintings to embody a shared experience. The ability for the viewer to live their own life inside my work is extremely important to me, as is the work’s potential to inspire new narratives. I am influenced by contemporary philosophy, including the recent writings of intersectional philosophers like Karen Barad and Donna Haraway. These writers strive to build a worldview that privileges intra-actions and entanglements between things and systems rather than a reality built upon discrete objects and hierarchies. Barad writes about describing reality as an apparatus, in which each person, animal,...
Artwork
- Tlamatini , 2020. Acrylic on panel
- Huaxtepec, 2020. Acrylic on panel
- The eyes have it , 2020. Acrylic on panel
- Last sacrifice, 2020. Acrylic on panel
- Alquimia Loop, 2020. Acrylic on panel
- Tohatchi Loop, 2020. Acrylic on panel
- Cempasuchitl and Huitzilin, 2020. Acrylic on panel
- Rites of passage, 2018. Oil, acrylic, hydrocal, ink, wooden spikes, veneer on shaped panels
- Laberinto de la soledad, 2018. Acrylic on panels with artist's frame
- Kami #4 (For Dian), 2017. Oil, acrylic, mirror, macaw feathers, wood on panel.
- Huitzilin (Creation Myth), 2019. Graphite on paper
- Sueño del contador enamorado, 2018. Acrylic on panels with artist's frame
- Chained like Chalmol, 2018. Acrylic on panel
- When life gives you lemons, throw them at glass houses, 2018. Acrylic on panel
- Heartache apparatus, 2019. graphite on paper
- Screenshots from "The Ballad of Yesterday, Today, and Tomorrow", 2019. 1 hr long experimental film
- Screenshot from "The Ballad of Yesterday, Today, and Tomorrow", 2019. 1 hr long experimental film
- Screenshot from "The Ballad of Yesterday, Today, and Tomorrow", 2019. 1 hr long experimental film
- She tied a yellow ribbon , 2019. Ink on silk
- Detail from "She tied a yellow ribbon", 2019. Ink on silk
- Detail from "She tied a yellow ribbon", 2019. Ink on silk
- Kami #3 (Para Jairo), 2017. Oil, acrylic, macaw feathers, wood, linen on panel
- Osmosis at Tucumari, 2019. Graphite on paper
- Bluebeard Surimono, 2018. Acrylic on panels with artist's frame
- Bound for eternity (but unraveling as we go), 2018. acrylic on panel
- In the garden of unaccepted apologies, 2018. acrylic on panel
- We are everything we need, 2019. Graphite on paper
- Apuhanun, 2019. Gouache on paper
- Melitt'as Maze, 2019. Gouache on paper
- Celestial Reasonings, 2019. Gouache on paper
- For the picking, 2019. Gouache on paper
- After the flood, 2018. acrylic on panel
- Mirage for Kokichi, 2018. acrylic on panel
- Hoodoo Games, 2018. acrylic on panel
- Last chance apparatus, 2018. acrylic on panel
- Harmonic Correspondence, 2018. acrylic on panel