Dawn Kramlich
Lives and works in Chicago, IL, USA
Artist statement
My interdisciplinary practice combines three approaches: materiality, palimpsests, and relationships between text and image. As a language-based artist, I employ verbal and visual languages on a level playing field and use combinations of their different semiotic powers to create synergy. My materials and processes (encaustic, inlay, laser-cutting) involve translucency and perforation to explore presence and absence. By using layers to gradually reveal or obscure discernible forms, my works embody the layers of power and influence that words and images exert on us. The text in my work comes from personal experiences as a queer woman in the USA. I use words from emotionally charged memories, phrases spoken to me by men, or edits of such moments which make their power dynamics more explicit. The imagery, on the other hand, comes from symbols and formal interactions of mark-making inherent in lettering systems: pattern, symmetry resulting from actual or implied grids, shape arising from negative space. My work engages language as metaphor for both the individual and the cultural systems one endures. I poetically weave and layer words and images in ways that expose patterns. The steady Digital Age onslaught of text + image combinations motivates my intermingling of verbal and visual languages, especially with the speed at which symbols and messages change while influencing how we navigate our daily lives. Language—how we use, relate to, and relate through it—is far more...
Artwork
- Finding Refuge, 2025. encaustic, pencil, and paper on panel
- Capitalist Plaid #11: Don't let go / It will bury / You if you let it / Be, 2025. charcoal and encaustic on panel
- Point : Counterpoint :: The LandLord Special : Golden Lining, 2024. diptych – acrylic and gesso on panel; acrylic and india ink on Arches
- Dispersal, 2025. india ink, gesso, paper, pencil, encaustic on panel
- Capitalist Plaid #9: Distraction System, 2024. encaustic on panel
- Capitalist Plaid #10: Drowning in Silver Linings, 2024. encaustic, oil stick, and mica on panel
- Word Matter, 2025. charcoal, sharpie, pencil, paper, and encaustic on panel
- Surfacing, 2025. charcoal, oil stick, and encaustic on panel
- Daily Primordial Soup Serving, 2025. charcoal, sharpie, and encaustic on panel
- Resistance/Persistence (It Takes Us to Make You), 2022. charcoal, sharpie, and encaustic on panel (which was then scanned and printed mural scale)
- Audacity, 2020. encaustic and hand-cut paper text on panel
- Language of the Oppressor, 2020. encaustic and sharpie on panel
- American Palimpsest 2: Imposition Paradox, 2020. encaustic on panel
- Forever No Matter, 2023. laser-cut matboard text from hand-made templates, wooden dowels, glue, nails
- A Solipsist's Cell, 2013. laser-cut matboard, laser-cut acrylic, fishing line, rubber bristle mats, shadows (projectors)