Diana Shpungin
Lives and works in Brooklyn, NY, USA
Artist statement
Diana Shpungin is a Latvian-born American multi-disciplinary artist whose artistic practice is dedicated to challenging ideas of drawing through sculptural and time based forms. The works involve obsessive processes while exploring themes of memory, superstition, failure, loss, repair, natural and domestic decay, –employing optimism in a quest for empathy across identity lines. The use of graphite pencil, both permanent and denoting erasure, is the foundation of the work. While an obsessive language of materials/techniques has been gleaned based on Shpungin’s late surgeon immigrant fathers frugal methods in medicine/domestic life. The sculptural works function as drawings in space, meticulously coating objects with graphite pencil as if they removed themselves from the picture plane and into bodily space. Concerned with beauty as a sublime idea rather than as a straightforward formal element, the sentimental both seduces and repels. However, that duality has become a necessary element in the work, always looking for a balance between form and content, superstition and logic, light and darkness, science and the sentimental, public and private, personal and political, and the poetic and the rational. All these methods maintain a peculiar sense of longing, –the subject matter may directly address this, a formal sensibility of tension may be employed or longing can be implied by way of a self-imposed conceptual failure, –often having a purposeful yet ambiguous sense of...
Artwork
- Always Begin At The End - exhibition views and select works, 2022. hand applied graphite pencil, hand made paper sculpture, marble, mixed media
- "Drawing Of A House (Triptych)" - installation views at SiTE:LAB, 2015. hand-drawn graphite pencil on abandoned house, nine-channel hand-drawn pencil animations
- "Drawing For A Reliquary" - installation & detail views at Franconia, 2021. graphite pencil hand applied to surfaces, sliver leaf, salvaged steel, fallen trees, and boulders
- "Drawing For A Reliquary" - drone video views at Franconia, 2021. graphite pencil hand applied to surfaces, silver leaf, salvaged steel, fallen trees and boulders
- "Bright Light/Darkest Shadow" - installation views at MOCA, 2020. hand-drawn pencil animation works consisting of literally thousands of original source drawings shown in three distinct gallery spaces of the museum
- "To Extinguish The Sun" - installation views at MOCA, 2020. hand-drawn pencil animation made from hundreds of permutated drawings, water, graphite pencil, fire, light, projection on drawing paper, continuous loop
- "To Extinguish The Sun" - video detail at MOCA, 2020. hand-drawn pencil animation made from hundreds of permutated drawings, water, graphite pencil, fire, light, projection on drawing paper, continuous loop
- "To Get Out Of The Way" - video detail at MOCA, 2020. hand-drawn pencil animation, made from over 500 original drawings, projection on drawing paper, continuous loop, dimensions variable - as first shown
- "You Will Remember This / 1664 Sundays (Black Square)" - installation & interactive views from CEC Artslink ArtProspect, St. Petersburg, Russia, 2018. One ton of potatoes given away in a public square, signed, numbered, editioned bag with hand-written family recipe, text on public wall, QR code, video of the artists' father story telling
- "From Darkness To Light", "Erased 45", and "Still Life (Triptych)" - installation views for the exhibition "Twenty Twenty" at The Aldrich Museum, 2020. heat sensitive pencils in display case for viewers to take, one channel video and erased source drawing, and three-channel hand-drawn pencil animation, composed sound, continuous loop, dimensions variable
- "Reversal Of Misfortune (Seven²) ( Fixed Mirror Series)" - installation & detail views at CMANY & Dieu Donne, 2018. pigmented casting cotton paper pulp, luminous silver pigment
- "A Light From Below" - installation views at Dieu Donne, 2018. graphite pencil on cotton paper, luminous silver pigmented abaca paper, metal
- "Don’t Let The Light In - (Series)" - installation & detail views at Dieu Donne , 2018. casting cotton paper pulp, graphite, linen and abaca paper