Donna Woodley
Lives and works in Nashville, TN, USA
Artist statement
I love making work that speaks to ideas of black experience and celebrates it. The enlistment of men and women that I know, including myself, is a significant part of my painting process. It allows me to explore the idea of emotion, connection, and relationship, and challenges me to render the figure accordingly. I discuss current themes and ideas that exist by combining the figure with metaphoric symbols such as granny panties and toilets. Informed by stereotypes, cultural similarities and differences, perception of beauty, mental health, and esteem, my work often uses subtle humor to create an environment conducive to healthy dialogue. Currently, I am making paintings that discuss abstract ideas of realism and the intersectionality of popular and black culture. Some of the paintings are meant to engage the viewer through the gaze while others address mortality, mental health, and black history. My primary desire for the viewer is to feel compelled to approach the work. The icing on the cake is if the viewer dwells there, reacts in some way, and walks away having felt something.
Artwork
- Fly Granny, 2025. Oil on canvas
- Asha Ingram, 2025. Oil on paper
- Untitled, 2025. Oil on paper
- Abdul Ishmael, 2024. Oil on paper
- Peanut, 2024. Oil on paper
- Annie Ida, 2024. Oil on paper
- Messy Hair Care, 2023. Oil on board
- As Long As I Got a Good Pair of Glasses, Some Red Lipstick, and My Earrings, I'm Straight!, 2023. Oil on board
- The Influencer, 2023. Oil on linen
- Stoul Food, 2023. Oil on canvas
- Shemar, 2022. Oil & acrylic on canvas
- Zinnia, 2022. Oil on canvas
- Dr. Shirley Collado, 2021. Oil & acrylic on canvas
- I Put On My Lipstick, 2021. Oil on board
- I Woke Up Like Dis, I Woke Up Like Dis, 2021. Oil on paper
- Cast Irons & Collards, 2021. Oil on canvas
- Tequila, 2020. Oil on canvas
- Meet Beverly Glaze-Johnson, 2019. Oil on canvas
- King John II, 2018. Oil on canvas
- Conisha the Civil Engineer, 2016. Oil on board