ESTELLE L. ROBERGE
Lives and works in Magdalena, New Mexico, USA
Artist statement
In the recent collages, I explore visual ideas through surfaces created from photographs and papers developed in my studio. Some of the cut and torn images originate from the world around me, while others are deliberately staged and photographed to achieve a conceptual outcome. I draw inspiration from a range of surfaces—textiles, marbles, magazines, wilderness areas, and tree bark. For example, I might float color into a bath of Irish moss and then photograph the resulting surface. From these photographic prints and papers, I create new collages by combining textures, colors, and forms—juxtaposing them with visual intention. The resulting two-dimensional surface becomes an entirely new image, constructed from two, three, or four mediums: photography, collage, painting, and printmaking. My photographs of textiles, for instance, may remind me of bird feathers due to the airiness of folded fabric or the structure of the weave. I use these qualities to evoke ornithological references. A previously painted photographic surface might resemble a night sky, prompting me to use it in that context. One suggestion gives rise to another. Folds in textiles can take on figurative qualities—suggesting gesture, movement, spatial relationships, and a sense of ephemeral playfulness. I use these visual cues to further imply content and context, allowing the work to shift between abstraction, figuration and narrative.
Artwork
- Photo.Self, 2024. Photograph
- The Iconography of a Textile Mill: Women, Windows and Walls. , 2026. Photo/Collage
- The Iconography of a Textile Mill: Mill Women and Girls, Spindles and Cotton Dust., 2026. Photo/Collage
- The Iconography of a Textile Mill: Rose, Mill Worker, Mother, Farmer, 2026. Photo/Collage
- The Iconography of a Textile Mill: Spinners, Rovers, Roving and Dust., 2026. Photo/Collage
- The Iconography of a Textile Mill: The Sad Story of Mary Bean, 2026. Photo/Collage
- The Iconography of a Textile Mill: Looms, Spindles and Spools, 2026. Photo/Collage
- The Iconography of a Textile Mill: Roving on the River, 2026. Photo/Collage
- The Iconography of a Textile Mill: Roving. Spinning Wheel. Spindles and Spools. , 2026. Photo/Collage
- The Iconography of a Textile Mill: The Gold Square, 2026. Photo/Collage
- Terpsichore. Les Danseuses de Claude Simon, 2025. Photo/Collage
- Unfolding, 2025. Photo/Collage
- Unfolding: #1, 2025. Photo/Collage
- Unfolding: #2, 2025. Photo/Collage
- Unfolding: #3, 2025. Photo/Collage
- Young Figure in Nature, 2024. Collage
- Into.Night.Cranes, 2024. Collage
- Above and Beyond. Series. #4, 2025. Photo/Collage
- Figure.Snow.Cranes., 2024. Collage
- Night Walk Crane Walk.Series.I, 2023. Collage
- Night Walk.Crane Walk.Series.II, 2024. Collage
- Night Walk.Crane Walk.Series.III, 2024. Collage
- Night Walk.Crane Walk.Series.#IV, 2024. Collage
- Night Walk. Crane Walk.Series.#V, 2024. Collage
- Crane Series. I, 2024. Collage, Solar Plate, Ink Drawing, Photography
- Crane Series. II, 2024. Collage
- Alligator Juniper I, II, III, Triptych, 2023. Collage
- Alligator Juniper I, Top Panel, Tryptych.Panel 1, 2023. Collage & Paint
- Alligator Juniper, Panel II. Middle. Triptych, 2023. Collage & Paint & Photography
- Alligator Juniper III, Lower Panel, Triptych , 2023. Collage & Paint & Photography
- Below and Above the Mountain.Series.1, 2023. Collage & Paint & Photography
- Below and Above the Mountain. Series. 2, 2023. Collage & Paint & Photography
- "Mountain Gloom".Diptych., 2022. Collage
- Cemetery, 2022. Collage & Paint & Photography
- Figure in Hammock.Dream, 2023. Collage. Print & Drawing
- The Book of J. , 2023. Collage
- The Book of J. II., 2023. Collage
- The Book of J.III, 2023. Collage
- The Book of J. IV., 2023. Collage
- The Book of J. V, 2023. Collage & Print