Faith Couch
Lives and works in NYC, NY
Artist statement
My work is grounded in the belief that images are not neutral. They are sites where meaning is constructed, contested, and felt. I approach the visual field as both an archive and living terrain, holding the residues of history while remaining open to rearticulating how Black life is seen, remembered, and understood. Through photography, I create memory landscapes: cinematic worlds shaped by lived experience, inherited visual histories, and recollection. These landscapes are time-agnostic, bringing together gestures, clothing, interiors, and cultural references that resist fixed chronology. By allowing the past, present, and imagined future to exist within the same frame, I explore how memory collapses time and how images hold personal and collective experience. My practice is centered on self-depiction, not as autobiography alone, but as a method of reshaping visual histories that have excluded or flattened Black life. I work with real people and relationships, casting family, partners, friends, and community members so the intimacy within each image is lived rather than performed. Through direction, wardrobe, lighting, production design, and staging, I construct photographs between documentation and fabrication. I am interested in how photographs hold what is not immediately legible: gestures of care, stillness, desire, and quiet intimacy. In a culture that often reduces Black existence to trauma, labor, or spectacle, my work insists on beauty, leisure, and emotional...
Artwork
- The Theater, 2024. Photography
- The Boys, 2025. Photography
- The Boys, 2024
- The Sleepover , 2025
- The Locker room, 2025. Photography
- The Hotel (Bath tub), 2026. Photography
- The Hotel (Lady in Blues), 2026. Photography
- The Hotel (Heres looking at you), 2026. Photography
- The Bar, 2025
- The Wedding, 2026
- The Mixer, 2025
- Field notes on Love, 2026