Garry Grant
Lives and works in New York, NY, USA
Artist statement
In my artistic practice, I delve into the realms of abstraction and the rich tapestry of African heritage, seeking to reimagine forgotten narratives and provoke meaningful conversations about culture, identity, and the human experience. My works are a reflection of my deep exploration into the complexities of African history, intertwining stories that have often been overlooked or silenced. Drawing inspiration from the natural world, ancient civilizations, and the depth of human emotion, my art serves as a visual journey through the diverse tapestry of black world history. Through abstraction, I aim to challenge conventional perspectives and push the boundaries of artistic innovation. Each artwork is a multilayered exploration of color, form, and texture, inviting viewers to embark on their own introspective journey and find personal connections within the intricate layers of the piece. Central to my artistic practice is the concept of storytelling. I believe that art has the power to unveil hidden narratives, shed light on silenced voices, and celebrate the resilience and creativity of generations past. Through my works, I strive to create a dialogue that sparks introspection, connection, and a deeper understanding of our shared humanity. In my creative process, I am guided by intuition and spontaneity, allowing each brushstroke and mark to flow freely, capturing the essence of the subject matter. I embrace experimentation, incorporating a variety of materials and...
Artwork
- "Monolithic Reasons Why I’m African: Lukasa Memory Board II: A Mnemonic Device for the Future." , 2026. mixed media with metal leaf on panel
- "Monolithic Reason Why I’m African: Portal of Hope: The Doorway of Return/Doorway of No Return"., 2025. mixed media with metal leaf on canvas
- "Black Civilizations IV: Sarcophagus of Alkebulan: The Dawn of Ancient Civilizations.", 2024. mixed media with metal leaf on panels
- "Black Civilizations III: Discovering the Criterion of El Jem." , 2023. mixed media with metal leaf on panel
- "Monolithic Reasons Why I'm African: Benin City Red Gold Rush: The Battle for Palm Oil.", 2023. mixed media with metal leaf on panel
- "Black Atlantis: The Sacred Triangle Passage", 2023. mixed media with metal leaf on panel
- "Monolithic Obelisk II: Pyramidion Complex of the First Life” , 2022. mixed media with metal leaf on panel
- 'Black Civilizations I: The Gathering.", 2022. mixed media with metal leaf on panel
- “Black Civilizations II: Trans-Atlantic Temple for the Forgotten Enslave and Gunshot Victims.”, 2022. mixed media with metal leaf on panel
- "Monolithic Reasons Why I'm African: The Great Benin Wall High Technology." , 2021. mixed media with metal leaf on panel
- "Monolithic Reasons Why I'm African: The Fall of the Benin Empire: The Reassessment 1897." , 2022. mixed media with metal leaf on panel
- "Monolithic Reasons Why I'm African: Pyramid City High Technology." , 2021. mixed media with metal leaf on panel
- "Monolithic Reasons Why I'm African: Pyramid City High Technology II.", 2021. mixed media with metal leaf on panel