Gonzalo Hernandez
Lives and works in Miami, FL
Artist statement
Hernández’s work examines contemporary questions surrounding labor, value, visibility, and the construction of artistic identity. Working across installation, painting, textiles, and text-based practices, he draws from personal experience to investigate broader systems that shape cultural production and define success, failure, and belonging. As an immigrant living between Peru and the United States, his work frequently explores tensions between visibility and disappearance, recognition and obscurity, aspiration and uncertainty. Appropriation serves as a central methodology in his practice. Through the reuse of images, texts, artworks, archival materials, and cultural symbols, Hernández examines how meaning is produced, circulated, and preserved over time. Rather than treating images as fixed objects, he approaches them as historical documents that reveal relationships between labor, authorship, memory, and power. His work often revisits artists, institutions, and cultural narratives as a means of questioning the systems through which artistic value is constructed and maintained. Across media, Hernández employs repetition, translation, and material transformation to blur the boundaries between art and everyday life. Through these strategies, he seeks to expose the structures that shape cultural memory while considering what it means to sustain an artistic practice within contemporary society.
Artwork
- america #5 in Japan, 2026. jacquard woven
- after Jafa, 2025. photocopy
- las tres gracias ante la ley, 2026. jacquard woven
- como tu miguel, 2025. jacquard woven