Heather Bird Harris
Lives and works in Atlanta, GA
Artist statement
I grew up on the coast of New England in a town that has lost over 50 feet of shore in my lifetime. As an adult, I fell in love in New Orleans and started my family there before moving to Georgia after Hurricane Ida. Both of these heart-homes exist on an edge we have since retreated from as each place’s relationship with water has become more perilous. My work renders these geologic shifts at a scale I can emotionally handle, using clay, water, and agential materials to unlearn Western epistemologies of control and reconnect with responsive, relational life at the water's edge. Across disciplines, my work teaches me how to live in a rapidly changing climate and investigates the relationship between American history and ecological crisis: how landscapes hold the traces of human decisions, whose knowledge gets preserved or dismissed, and what other ways of knowing might make emergence and systems change more possible. I work across painting, film, alternative photography, sound, and social practice, often beginning with a particular place and following the histories, materials, and more-than-human lives embedded within it. My practice functions as a way to balance love and grief, while paying close attention to biomimetic relationships that model how to mother into possibilities for repair.
Artwork
- A Time of Endings (Fall, Georgia), 2025. clay and tree carbon watercolor and walnut ink over tree carbon screenprint, wet cyanotype toned in walnut and clay on canvas
- It Will Be Different (Summer, Georgia), 2025. clay watercolors, pokeberry, mulberry, yaupon, and logwood inks, and crayon on cotton canvas, fallen oak tree, local wildflowers
- Chronobiology (38), 2026. Atlanta clay and weathering rind watercolor and walnut ink; Coal screenprint and cyanotype toned in acorn ink; Deepdene clay screenprint, on cotton canvas. Artist frames made from a fallen red oak tree in Atlanta.
- Water Film (Summer, Georgia), 2025. wet cyanotype on canvas, indigo and clay watercolor paints over film still on stretched paper sealed with beeswax
- The Power of Hydrogen: Georgia’s Rivers, 2025. enlargements of natural inks (white oak acorns, buckvine, yaupon, wild blueberries) mixed with neutral water (L) and alkaline water (R)
- Vernalization (Winter, Georgia), 2026. ice cyanotype toned in acorn ink on stretched paper, sealed with beeswax
- The Timekeepers, 2026. coal monotype and tree carbon screenprint made with windfall from the oldest living tree in Atlanta; Frozen cyanotype toned in acorn ink; Clay screenprint and clay watercolor, on stretched paper over cradled panel.