Heather Lee Birdsong
Lives and works in Portland, OR, USA
Artist statement
Heather Lee Birdsong (American, b. in Spring Valley, Nevada; based in Portland, Oregon) reconstructs and merges half-remembered buildings and carefully observed landscapes from different times in her life, working primarily from memory, imagination, and emotional impetus. The carefully-rendered, dreamlike scenes in Birdsong's works on paper (primarily paintings in gouache or Flashe, and intaglio prints) coalesce from places often no longer accessible to the artist—such as a demolished childhood home, sites of wildfire, and houses and apartments left by moving or through estrangement. That Birdsong's life spans multiple cities and a semi-nomadic existence within each is typical of the instability of modern housing. Birdsong’s recent work describes the complex histories and subtle emotions involved in social relationships, using carefully orchestrated color palettes and precise forms. She abstracts people into geometric figures, depicting how someone feels in her mind, rather than how an individual looks. Often surrounded by depictions of native, introduced, and invasive species, these are both allegorical and literal illustrations of human-caused environmental change. Of her work, Kate Mothes writes: "Birdsong is keenly aware of her presence as a white person participating in the living history of American landscape imagery. Much imagery centers around spaces where Indigenous communities have been displaced, often brutally, by European settlers throughout the last few...
Artwork
- Landscape of Memory (Summer), 2026. Flashe, Blue Lit pigment, and acrylic on translucent YUPO (recto and verso)
- Landscape of Memory (Fall), 2026. Flashe, Blue Lit pigment, and acrylic on translucent YUPO (recto and verso)
- Landscape of Memory (Winter), 2026. Flashe paint, Blue Lit pigment, and acrylic on translucent YUPO (recto and verso)
- What Kind of Times Are These, 2025. Flashe paint and acrylic on cradled panel
- there’s a place I love., 2025. gouache and watercolor on hot pressed paper
- National Sacrifice Area, 2024. gouache on hot pressed paper
- Hopeful Things in Dark Places No. 2, 2024. Flashe paint, charcoal, glow-in-the-dark pigment, gum arabic, acrylic on translucent polypropylene
- Hopeful Things in Dark Places, 2023. matte vinyl paint, charcoal powder, Blue Lit pigment, gum arabic, acrylic on translucent polypropylene
- Early, Late and No Longer, 2024. gouache and watercolor on hot pressed paper
- I Never May Believe, 2024. matte vinyl paint, graphite, and colored pencil on translucent polypropylene
- Singing Silence, 2023. Flashe on translucent YUPO (painted recto and verso)
- Learning What to Keep, 2023. gouache on hot pressed paper
- Hiraeth, 2022. intalgio print (drypoint, roulette)
- Grandmothers Woods Smell Like Fire, 2022. matte vinyl paint on translucent polypropylene (painted recto and verso)
- A Doubtful Dream, 2021. gouache on hot pressed paper
- Imaginary Shelter, 2021. gouache on hot press paper
- Inside-Out, 2022. acryla-gouache on hot pressed paper
- Cultivating Pomegranates, 2022. matte vinyl paint, acryla gouache, and Luminance colored pencil on translucent polypropylene (painted recto and verso)
- Preparation for Being, 2021. gouache and Luminance colored pencil on hot press paper
- It Has Always Been This Way, 2020. gouache on paper
- Visitation, 2019. gouache on paper
- Comfortless as Salt (Dissociation), 2018. intaglio etching with aquatint on paper
- Her Mesquite Tree (Polygons No. 7), 2016. gouache on paper
- Polygons No. 4 (Pileated Woodpecker with Mojave Yucca), 2016. gouache on paper