Helena Uambembe
Lives and works in Johannesburg, South Africa
Artist statement
Helena Uambembe’s practice is personal and particular. As an interdisciplinary artist, she uses performance, photography and printmaking to recreate and reposition the history of the 32 Battalion, the infantry Battalion of the South African Army Founded in 1975. Uambembe draws on her own history rooted in the small North Western Town of Pomfret, where she was born (of Angolan parents) and where her father was recruited into the 32 Battalion. Once the home of the Battalion recruits and soldiers, the town has glided into a ghost town as it is slowly becoming deserted and forgotten. Uambembe uses this technique as a medium of creation to rupture concealments into revelations. Uambembe’s work is a piecing together of fragmented and fractured histories resulting in images with sharp edges, hollows and a stark sense of melancholy. The 32 Battalion becomes a master narrative she uses to investigate and explore the past. Fragmented pieces become a way of mending and compressing time, while weaving together ideas around home and identity.
Artwork
- Those the we left Behind, 2021. Performance
- (May contain traces of) colonialism , 2021. Hand print, ink, image transfer and cotton thread on hessian.
- Os Terriveis , 2021. Hand print, ink and cotton tread on hessian.
- Os Bufalos, 2021. Hand print, ink and cotton tread on hessian.
- Just add WA(te)R , 2021. Hand print, ink and cotton tread on hessian.
- May contain traces of Asbestos , 2021. Hand print, ink and cotton tread on hessian.
- Pomfret, 2021. Hand print, ink, paint and cotton tread on hessian.
- May contain traces of violence , 2021. Hand print, ink and cotton tread on hessian. 62 X 47,5 c
- (May contain traces of) trauma , 2021. Hand print, ink and cotton tread on hessian.
- Three Bufalos , 2021. Hand print and cotton thread on hessian.
- May contain traces of assimilation , 2021. Hand print, image transfer and cotton tread on hessian.
- Nel, 2020. Linocut pronto plate Lithograph on Gampi Natural 20gsm chine collé adhered to Zerkall Litho 250gsm attached to a backing sheet of Arches cover white 300gsm
- In times of innocence, 2020. Pronto plate lithograph with hand painted Alice Goldin chine collé and hand work on Zerkall Litho 250gsm
- Ganhar uma bandeira, 2020. Pronto plate lithograph with monotype and Gampi Natural 30gsm chine collé on Zerkall Litho 402 250gsm
- Combatente de Bufalo, 2020. Linocut with hand work with watercolour and Stabilo Woodies on Zerkall Litho 250gsm attached to a backing sheet of Arches cover white 300gsm
- Brothers in arms (O Henda), 2020. Pronto plate lithograph with monotype and chine collé on Zerkall Litho 250gsm attached to a backing sheet of Somerset Newsprint Grey 280gsm
- Each generation must discover it mission, fulfil it or betray it in relative opacity - Fanon, 2020. Pronto plate lithograph with fabric collage and Gampi Natural 20gsm chine collé on Zerkall Litho 250gsm
- Nel and officers, 2020. Pronto plate lithograph with monotype on Somerset Newsprint Grey 280gsm
- Tchigangi, 2020. Pronto plate lithograph with hand work on Zerkall Litho 250gsm attached to a backing Arches cover white 300gsm
- Batalhao , 2020. Pronto plate lithograph with hand work on Zerkall Litho 250gsm
- As Meninas , 2020. Pronto Plate Lithograph Collage on Alice Goldin paper and Zerkall Litho
- That, that I choose not to remember, 2019. Paper lithography on Fabriano paper
- I came to understand that this is who we are., 2019. Paper Lithography and watercolour on Fabriano paper
- Confidential Histories IV, 2019. Photo transfer and linocut on Fabriano paper
- My load I shall Carry (Prayer to Mother Njiga ), 2019. Performance
- Therapy for the Black man (in honour of…), 2019. Performance
- Confidential Histories III, 2019. Photo transfer and linocut on Fabriano paper