Isidora Krstić
Lives and works in Vienna, Austria
Artist statement
I was born in Serbia and brought up in South Africa. Growing up between two cultures and now living in a third, Austria, defines the core of my being as well as my artistic practice. My childhood in South Africa sparked the interest in topics such as the exotic, the question of what home is, the feeling of nostalgia felt for past things and the grief for the things that never were. As a result, in my work I often revisit the topic of colonialism and its consequences, through looking into, for example, colonial myths of the 16th century, or mining operations and exploitations in South Africa and South America. I see my artistic practice as a way to think, to understand processes and to question systems and structures in place in our society. The Swiss artist Miriam Cahn says that ‘females have a lot to do, they need to rewrite history’. A large part of my work is made through the starting point of living as a woman, the struggles of growing up as a woman and all that it entails and bears, the unspeakable and indescribable. As a woman making paintings, videos and sculptures today, I consider the very use of these media to be in itself a subversive practice given its historical context in which painters were usually men, painting women, for a specific (male) gaze. That being said, the use of the colour pink in a number of my works could easily be misinterpreted. With it, I want to challenge the interpretation of this colour as stereotypically sweet and girly by painting it,...
Artwork
- Amulet (Orchid), 2022. Acrylic on wood
- Amulet (Strelitzia), 2022. Acrylic on wood
- Amulet (Lotus), 2022. Acrylic on wood
- Amulet (The Jester), 2022. Watercolour on paper
- Tears of our glands, 2022. Acrylic on wood
- Sticks and Stones, 2021. Wood, plaster bandages, acrylic paint
- We never really had our chance, did we?, said the dream-eating goblet., 2022. Acrylic on canvas
- Dividing Myself, 2020. Acrylic on canvas
- Ghost Memory, 2021. Acrylic on canvas
- Pink Nightingale, 2018. Plaster, clay, plastic, bandages, shredded office paper, woolen thread, reflective surface, wooden panel, looped sound (5'58"), looped video (1'00")
- Self-Soothing, 2018. Acrylic on canvas
- Water Stones, 2018. Acrylic on canvas
- I am outside of my body and I am growing, 2019. Acrylic on canvas
- Arcadia, 2019. Video, sound
- Strange Place, 2019. Wood, acrylic paint, shredded newspaper, plaster, natural Norwegian moss, looped sound: whale, water and fire sounds, 20”
- The Storm Will Always Come (The Calm Before the Storm), 2019. Acrylic, pencil, collage and aluminium dibond on wood
- Fernweh, Segment no. 3, 2017. Wood, textile prints, acrylic paint
- On Distance and Dissonance, 2019. frame with objects: collage, toy palm, wood, clay, textile; computer-spoken text.
- Starfish or A Relatively Safe Space, 2020. Acrylic on canvas
- My body is porous, 2019. Acrylic on canvas
- I need to feel heavy., 2017. Acrylic on canvas
- Cannonballs, soft velvet, infinitely light, 2018. Acrylic on canvas
- Vide/Leer, 2018. Dry pastel on paper
- Parts (Blue), 2018. Dry pastel on paper