Jen Urso
Lives and works in Phoenix, AZ, USA
Artist statement
In my work, I am often making something visible that is invisible—talking or thinking about it in a way that can bring greater appreciation to moments we often ignore. This has included unearthing deep feelings of grief, delineating the boundaries of our public movement and magnifying the microscopic in the most mundane locations. I utilize public interventions, performance, drawing, mapping and technology to honor a sensitive approach to our environment and community that respects the unseen and unspoken. My practice revolves around subtleties of environments and behavior as well as attempting to undo the constructs expected to be necessary to take part in an artwork. I like looking at the details. I like the idea that there is always something more complex if we just take the time and attention to notice it. This process of awareness and investigation steers us away from the allure of a spectacle to discover something possibly more intimate and vulnerable. In a public setting where we’re drawn to be distracted, I create stumbled-on moments of focus with ephemeral materials or performance. In a gallery setting that already encourages hyper-awareness, I create an up-closeness or near invisibility so the work can be ignored or experienced intimately.
Artwork
- What Grows Here - Scottsdale, 2022. augmented reality
- What the Desert Already Has, 2023. performance, soil from Mormon Mesa in Nevada where Michael Heizer’s “Double Negative” was created, recycled Plexiglas, grow lights, digitally printed poster (22”x28”)
- Measuring the Coastline – full-size body edge, 2022. composted soil remains of Tina L. Urso-McDaniel, pencil, glue on paper,
- Measuring the Coastline: full body edge measurements at 4 levels of magnification plus calculations after measuring my body’s edge with a measuring tape, 2022. inkjet and pen on paper
- What Grows Here, 2022. agave & cotton fiber paper, wood, chain, tepary bean seeds, paper envelopes, inkjet printed labels, inkjet print on agave & cotton fiber paper
- Remarkable Presence, 2021. installation: 20,000 printed and die-cut recycled paper, inkjet print on index cards, glue, marker, repurposed household shelves
- Statewide Curfew, 2020. performance, chalk
- Magnified Mundane Magnificent, 2020. Augmented Reality
- Strength Emerges, 2020. dried plants, glass jar, printed vellum, pins, felt, foil, vinyl letters, wood, size varies
- State of Exception flow chart, 2019. pencil on paper
- Close Distance, 2018. performance, drawing collaboration with dancer/choreographer Eileen Standley
- Breathing Takes Up Space, 2015. paper with embedded text, 3″ x 2″ x 2″, performance at Artel Phoenix event