Jill Slosburg-Ackerman
Lives and works in Somerville, MA, USA
Artist statement
ABOUT MY WORK The whole of my studio is a site where disparate forms become an ensemble. Now there are small-scale wall and tabletop works; jewelry; furniture for walking mourners, and a boxed collection of wood scraps that remain from carving projects. These works grow from and refer to each other, reflecting the studio as a place of non-literary interwoven interactions, where addition and subtraction are in dialogue, where one thing lets another make sense. Drawing is central to my practice. I like knowing that this word (drawing) is a gerund—both noun and verb—because it represents a meaningful convergence of action and object. The "eye of my pencil" (Bridget Riley) guides me as I make observational studies and overlays, essential components in ensembles that display process, nature, bodies, cloth, adornment, and systems. I choose to work with wood because it is its own subject. It embodies the bifurcated condition of belonging to nature and the constructed world. Wood is uncannily alive and dead. Its grain and markings are nature's drawings, with the possibility to be combined with the things that I make. And, it is a haptic pleasure to work with this material. Jill Slosburg-Ackerman 2026
Artwork
- Drawing of a Shell Found in Westport, MA, 2025. fir, pine, tracing paper, methyl cellulose glue, felt, gouache, graphite, glue
- Drawing on a Sculpture, 2024. studio scraps, tracing paper, graphite, glue
- Drawing on a Sculpture, verso, 2024. fir, pine, tracing paper, graphite, glue
- Atisha's Foot, 2025. borrowed image, felt, gouache, wood, found objects
- Glued Drawing, 2023. paper, graphite, methyl cellulose, gouache, wood scraps from my studio
- Ebony Bead, cut. (A talisman to wear)., 2023. ebony, cotton twine
- Ddrawing from the sculpture "Cluster", 2022. paper, graphite, wood, sumi ink
- Shell, Shelf, Self III, 2024. shelf from my late husbands library, my pine scrap, plaster
- Mourning Bench: Autumn, 2022. cedar
- Mourning Benches: Matter and Spirit, 2022. sapele wood
- Mourning Benches, carrying a bench, 2022. cedar
- Mourning Benches: Meg at the Cemetery, 2023. photo and narrative
- Dead House, 2023. felt, pine, graphite
- Asphyxia, 2023. felt, wood, 2 x 4
- Restless Shelf #1, 2001. cherry, wafer board
- Restless Shelves and Psychophant, 2023. artist's book
- Restless Shelf #21, in the studio and in situ, 2023. documentation in the book Restless Shelves and Psychohant
- Restless Shelf 16 with collaborator, 2002. wood, paint, Ikea shelf
- Restless Shelves and Psychophant, 2023. video of handling the Restless Shelf and Psychophant book
- Blossfeldt-Reitveld/Slosburg-Ackerman. (An illustration. Imminent Collapse and Ascent.) , 2019. . Discarded Arts and Crafts desk, pine, studio scraps, paint, craft paper, blue tape, thread felt.
- Blossfeldt-Reitveld/Slosburg-Ackerman. (An illustration. Imminent Collapse and Ascent.) detail, 2019. Discarded Arts and Crafts desk, pine, studio scraps, paint, craft paper, blue tape, thread felt.
- Blossfeldt-Reitveld/Slosburg-Ackerman. (An illustration. Imminent Collapse and Ascent.) detail, 2019. Discarded Arts and Crafts desk, pine, studio scraps, paint, craft paper, blue tape, thread felt.
- A Divided Highboy, 2011. carved found pine highboy
- Edward Snowden, 2014. discarded low table
- Collected Sawdust Since 1990, 2025. cardboard, assorted wood chips, sawdust