Joiri Minaya
Lives and works in Brooklyn, NY, USA
Artist statement
My work is a reassertion of Self, an exercise of unlearning, decolonizing and exorcizing imposed histories, cultures and ideas. It’s about reconciling the experience of having grown up in the Dominican Republic with living and navigating the U.S. / global North; using gaps, disconnections and misinterpretations as fertile ground for creativity. I’ve learned there is a Gaze thrust upon me which others me. I turn it upon itself, mainly by seeming to fulfill its expectations, but instead sabotaging them, thus regaining power and agency. Inter-disciplinarily, I explore the performativity of tropical identity as product: the performance of labor, decoration, beauty, leisure, service.
Artwork
- Siboney, 2014. HD video, hand-mixed gouache paint (mural)
- Redecode I, 2015. wallpaper
- #dominicanwomengooglesearch , 2016. digital print on sintra and fabric collage
- Dominican Women Google Search Postcard series, 2015. digital print on paper
- Veil #3, 2020. Archival pigment print and silkscreen
- Veil #2, 2018. Archival pigment print and silkscreen
- Woman-landscape (on opacity) #4, 2020. Archival pigment print of a digital collage
- Woman-landscape (on opacity) #5, 2020. Archival pigment print
- Body of water, 2020. Archival pigment print
- Ayoowiri / Girls with poinciana flowers, 2020. Archival pigment print of a digital collage
- Continuum, 2020. Archival pigment print
- Container #7, 2020. Archival pigment print
- Container #4, 2020. Archival pigment print
- Container #3, 2017. Archival pigment print
- Container #5, 2020. Archival pigment print
- Containers, 2017. HD Video
- Spandex installation series, 2019. Spandex fabric, wood beams, white plastic chairs
- The Cloaking Series, 2019. dye-sublimation print on spandex fabric and wood structure, digital collage, printed postcards
- Labadee, 2017. HD Video
- Tropticon, 2018. Aluminum, polycarbonate and perforated vinyl