Jo Shane
Lives and works in New York, NY, USA
Artist statement
Since the late 1970s, my practice has positioned the body as both epistemic instrument and biopolitically contested terrain. Working within an evolving feminist and materialist lineage, I conceive of the corporeal as a durational infrastructure as well as as a living site through which creative labor bears witness against the capitalized access to vitality and health. The disintegrity of the body, its preservation and its mortality, have remained continuous throughlines in my work, foregrounding my specific subjecthood as both maker and medium. For nearly five decades, the human aggregate, registering how the physical self operates in the world, moves through the contemporary life cycle, and absorbs its evolving pressures, has been tantamount to my daily inquiry. While many artists extend their practices toward the speculative or posthuman, my focus remains with the living and perishable self on this side of the evolutionary threshold: the somatic in the linked terms of its senescence and survival. My work is therefore anchored in the tensions between vitality and decline, autonomy and dependency, control and surrender. This is, by nature, self-reflexive. I engage the rhetorics of self-optimization and longevity through lived experience, with a specific focus attendant to aging, hormonal modulation, psychopharmaceutical dependency, motherhood, reproductive history, and mental health. Through this first-hand perspective, I examine the specters of unequal privilege and...
Artwork
- Lilies Into The Void, 2025. Refrigeration unit, LED light strip, cryogenically treated lilies, glass, latex, metal, wood, water, photo transfer, flexible plastic substrate, refrigeration unit, LED light strip, cryogenically treated lilies, glass, latex, metal, wood, water, photo transfer, flexible plastic substrate
- The Treatment Suite, 2025. Painted wall in Benjamin Moore- Barely Teal, L.E.D light panel, framed text, iPad holder, iPad, privacy curtain, curtain rod, Elephant cryotherapy machine, protective gloves, latex, nitrogen gas tank, electric reclining treatment chair, stool, metal pan, Timeline supplements, 2 framed invoice certificates, facilitator lab jacket, chrome wall hook, embroidered participant hand towel
- Seen/Unseen, 2025. Performance
- SEEN/UNSEEN, 2025. Performance
- Facilitator/Participant, 2025. Original performance ephemera: lab coat, paint, cotton facial towels, custom satin embroidery, chrome hanger, chrome wall hook, chrome towel rack
- Age Extinguisher Series, 2025. Fire extinguisher case, wood, LED light fixture, artist used supplements
- Age Extinguisher #1, 2025. Fire extinguisher case, wood, LED light fixture, artist used supplements: Tally Health Sharpen, Marina Abramović Longevity Method Immune Drops
- Age Extinguisher #2, 2025. Fire extinguisher case, wood, LED light fixture, artist used supplements: injectable NAD, injectable Semaglutide, administrative syringe
- Age Extinguisher #3, 2025. Fire extinguisher case, wood, LED light fixture, artist used supplements: Fatty15, Time-Line Longevity
- Temple of Longevity, 2025. Photographic images, galvanized metal
- INFLAMMATION, 2025. Artist frame, documents relating to The Treatment Suite
- Endless Supplement Stack, 2025. Supplement bottles, Erewhon branded bag, mirror, wood
- Estrogen Diaries (collaboration with Shiloh Blue), 2025. Fire extinguisher case, wood, LED light fixture, artist used supplements: estradiol patch, estradiol tablet bottle, usage instructions, intravaginal syringe
- Estrogen Diaries audio, 2025. Audio
- Autograph Series, 2025. Signed documents in custom artist frame
- Autograph Series #2 Marina Abramović, 2025. Signed documents in custom artist frame
- Autograph Series #1 Tracey Emin, 2023. Signed documents in custom artist frame
- NOT ME, 2025. Wheelchair, artist's wedding dress, artist-used hormone syringes