Juan Pablo Garza
Lives and works in Miami, FL, USA
Artist statement
My work is a speculative exploration of objects, weaving visual conversations that bridge the ordinary and the sacred. I arrange these dialogues among diverse materials, exploring possible transformations. Each piece begins with a purposeful search for objects and materials, selected for their cultural resonance, aesthetic allure or because they touch an internal chord. These elements undergo deliberate manipulation, seamlessly fitting into my artistic universe, a space defined by a nuanced vocabulary responding to instinct and logic. As the production unfolds, these objects merge into larger formal structures existing in a three-dimensional space, transitioning between floor and wall installations. I am interested in the possibility of blurring temporal boundaries and reshaping meanings. Laden with emotional and historical weight, each object becomes a vessel for numerous stories. My pursuit involves acknowledging their past, and uncovering latent potential while simultaneously navigating the labyrinth of personal and shared memories, both joyful and traumatic. This results in a continued process of refining a poetic language that formalizes the accidental, reinterprets history and celebrates the complexity of ambiguity.
Artwork
- Llegarán a la puerta donde la luz se dobla, los arbustos siempre les recordarán – They will arrive at the door where the light bends, the bushes will always remember them , 2022. Mixed media
- Saquillos como soporte (Autonomía blanda) - Pockets as support (Soft autonomy), 2023. Mixed media
- En el suelo eficiente de las mañanas infantiles (Fascinación en la espesura) - On the efficient ground of childish mornings (Fascination in the thicket), 2023. Mixed media
- Heladería Carmencita (Disciplina antigua) - Carmencita Ice Cream Shop (Ancient Discipline), 2023. Mixed media
- La rarezas se encuentran (Después de armar los rosales) - The oddities find each other (Understanding the rose bushes), 2019. Mixed media
- Las hojas son solidas (Después Ponge) - The leaves are solid (After Ponge), 2017. Mixed media
- Pasturas sin titulo (Después de Casasola) - Untitled pastures (After Casasola), 2017. Mixed media
- Un hachazo invisible (Me sigo desangrando) - An invisible hack (I'm still bleeding), 2019. Mixed media
- La soledad de los descalzos (Ceremonias de interior) - The solitude of the barefoot (Indoor ceremonies), 2019. Mixed media
- El hermano oscuro (después Vaslav) The dark brother (After Vaslav), 2017. Mixed media
- Los dedos que yo tengo no se ven (aguanta Sofía) - The fingers I have cannot be seen (Sofia holds on), 2018. Mixed media
- Asomarse ya no es interior (Barro tal vez) - Peeking out is no longer interior (Mud maybe), 2018. Mixed media
- Creo en ti (Presente rabioso) - I believe in you (angry present), 2018. Mixed media