Juliana Cerqueira Leite
Lives and works in New York, NY, USA
Artist statement
I am interested in the poetics of human bodies navigating imposed limits. I consider myself a sculptor, and I am a physical material within my work, including my body in an attempt to question hierarchies between mind and body, nature and culture. In preparation for making sculptures I frequently employ drawing, movement, video, archival research and photography. My work explores a territory between the phenomenological and representational approaches to figuration. This means resisting symbolism, narrative, and formalism, while insisting on the figure’s potential. I find that Eurocentric and conventional ways of representing human beings are no longer able to negotiate aspects of our contemporary conditions of existence. Late capitalism, environmental crises, the harms of racism, and biological essentialism are resisted by a changing landscape of symbiotic and hybridized bodies that demand new forms. This changeable nature of a body is - like sculpture - defined in the negative: in relation to what it is not. In my work I engage the history of figurative representation while aiming to explore the human subject oscillating between times, states and identities. I aim to question the thinking that directs representations of the body in visual art, and instead generate indexical presentations of my body informed by tactility, action and interiority. I work from specific, choregraphed action-schemes and repetitive movements. I often work from the inside out, capturing motion...
Artwork
- Labor, 2024. 16mm color film with sound
- SHEE, 2024. Durational sculpture and unseen performance, plaster, wood, cardboard, steel, pigment.
- Anthropometry, 2019. Aquaresin, steel, aluminum, glass fiber, pigment
- SSDR 1-5, 2024. 3D printed PLA, automotive paint, Ecocryl resin.
- Other Symmetries 4, 2024. plaster bandage, stone plaster 4, fiberglass, iron, sisal and wax
- Interior, 2023. Artist book: Softcover that embraces loose diptychs in 3 different formats (34 x 48 cm, 42 x 20 cm, 30 x 21 cm) held by a special Japanese elastic. Offset printed in 5/5. Reproduction of 22 original drawings created especially for the book, describing a journey from the mouth through the interior of the artist's body and out through the anus. Includes a facsimile of the artist's notebook. The special edition is composed by a sculptural cover embossed and hand-printed.
- Flip, 2021. graphite and colored pencil on paper
- Tie V3, 2021. graphite and colored pencil on paper
- Wash Hands, 2023. Stainless steel, plaster, jesmonite, pigment, wax
- Lift, 2023. Stainless steel, plaster, jesmonite, pigment, wax
- Stir, 2023. Jesmonite, stainless steel, aluminum, glass fiber, pigment.
- Hotel Marajoara, 2021. HD color video with sound
- Urna 6, 2021. plastered bandage, dental plaster, fiberglass, pigment, varnish, tempered glass base, iron, soil, organic substrate and live plants
- Urna 8, 2021. dental plaster, fiber glass, aluminum, steel, pigment, glass base, live plants and organic substrate
- A Potential Space, 2016. Artist Book: Coptic hard cover bound BFK Rives, 86 laser cut pages describing a 3D anatomical scan of a vagina from labia to cervix, includes folded insert with text by the artist. Edition of 75.
- Climb, 2013. Forton mg, Urethane foam, steel
- OH, 2011. Latex, cheesecloth, packing materials