Juyon Lee
Lives and works in Brooklyn, NY, USA
Artist statement
I seek to materialize the human relationship to time, exploring how the ephemeral and ontological residues, such as memory and the subconscious, converge in human experience and perception. With attention to dissonance experienced in space and time, I construct material compositions of light, diaphanous mediums like glass, and architecture, where participants can perceive the presence of change in the medium of time. Along with sculptural application of images, intangible elements embody the fluid interplay between image, medium, and spatiotemporal perception of reality. I view my process akin to lens-making, with a focus on perception. The human body is a porous lens, through which perception is always incomplete and contingent. This approach invites reflections on interconnectivity between all things, where contextualization operates within liquidity and relation rather than fixed isolation. In recent work, I hand-weave and sculpt photographs into glass and other translucent materials, destabilizing their indexicality and turning them into mutable entities. These image-based installations become sites of passage rather than fixed representations; image becomes shadow, a moving reflection to be ruminated on one's own sense of being and becoming. Embodying experiences ranging from familial grief to nonlinearity of time, my work explores this existential instability through the material, the immaterial, and image, the ghost in between.
Artwork
- Bodiless Travels VI (his body shrouded by lotus petals in hanji 2023, light entering studio in Vermont 2026) , 2026. Decals of woven photographs fused in slumped glass, custom stained wood stand, neon (argon, mercury)
- Parabolic Traces (screenshot of umni’s mobile 3D scanned hand, when she came out to see me leave at dawn) , 2026. Decals of hand-woven photographs fused in slumped glass, custom brass mount
- Bodiless Travels V (his body shrouded by lotus petals in hanji, light entering studio in Connecticut), 2026. Decals of hand-woven photographs in fused glass broken in 3 parts, custom brass mounts, neon (argon, mercury)
- Parabolic Traces - Burnmark Video Call I , 2026. Decals of hand-woven photographs fused in slumped glass, custom wood stand
- what else yet to be known, 2026. Decals of artist’s writing fused in glass
- Weighing of the Light, 2025. Black elliptic fused glass, water, water pump, photographic decal of hand-woven and digitally layered photos on slumped glass, custom stained wood stand with an oval-shaped bottom, neon (argon and mercury)
- Weighing of the Light, 2025. Black elliptic fused glass, water, water pump, photographic decal of hand-woven and digitally layered photos on slumped glass, custom stained wood stand with an oval-shaped bottom, neon (argon and mercury)
- Parabolic Traces (Between Hands and Sunsets), 2026. Cast glass of mobile 3D scanned hand, photographic decal of hand-woven and digitally layered photographs in slumped glass, neon (argon,mercury), custom brass mounts
- Drawing with a mylar emergency blanket hung from 4 elastic strings, a work light, wood, drywall, 2019. Mixed media
- Drawing with a mylar emergency blanket hung from 4 elastic strings, a work light, wood, drywall, 2019. Mixed media
- There is mystery in everything, 2022. Two-channel video with stereo sound, one-way mirror film, steel, glass, water
- There is mystery in everything, 2022. Two-channel video with stereo sound, one-way mirror film, steel, glass, water