Katherine Tzu-Lan Mann
Lives and works in Washington D.C., DC
Artist statement
I examine landscape painting, environment, and myth making by building luxuriant, cinematically scaled paper and mosaic paintings and installations. These combine romantic, utopian and immersive sensibilities from both Chinese and Western landscape painting with a lexicon drawn from a personal mythology informed by my identity as a biracial, second generation Asian American: ribbons, baubles, bats, peaches, sperm, piles of flowers repeated so many times as to appear biomorphic and alien, but bursting with incongruous efflorescence. These pieces have two primary concerns: the exploration of landscape in a world where "landscape" is defined through an ever-widening field of digital, graphic, and visual forms, and the insertion of personal world building—a world of fragmentation, hybridity, and incongruity—into that history.
Artwork
- Salamander Room, 2021. Acrylic, sumi ink, collage on cut paper
- Angle Fable, 2023. Acrylic, sumi ink, collage on paper
- Alliteration, 2023. Acrylic, sumi ink, collage over glass, ceramic and found object mosaic
- Gather The Remains, 2024. Acrylic, sumi ink, collage on paper
- The Choir, 2023. Acrylic, sumi ink, cut paper, collage, mosaic on wall
- Capsule, 2025. Acrylic, sumi ink, cut paper, collage over ceramic, glass and found object mosaic on wood
- The Pocket, 2024. Acrylic, sumi ink, cut paper, mosaic on wall
- A Ladder Into A Door, 2026. Acrylic, sumi ink, collage, mosaic, found object, cut paper on walls and ceiling