Kim Garcia
Lives and works in Los Angeles, CA, USA
Artist statement
My practice begins with hauntings: unresolved experiences that persist as bodily tensions, quiet griefs, and inherited longings. Working across sculpture, painting, and drawing, I use layering, compression, and accumulation to explore how history takes form and is reshaped across generations. As the daughter of immigrants, I approach history as something active and living: shifting, camouflaging, and carried through the body. I work with resin, necklace chains, and embedded imagery to build translucent structures that suspend and strain fragments of lived experience. Resin both preserves and distorts, while chains introduce tension, weight, and inherited dependence. These materials in my work create an unstable archive, where preservation and erosion operate at once. I move from intimate memory outward, connecting personal experience with broader histories of migration, empire, and displacement. Recent work rooted in my father’s dementia and his desire to return to the Philippines has led me into family archives tied to the early American presence in the region. Personal memory folds into colonial history. Intimate grief opens up onto geopolitical inheritance. Moving between small, intimate objects and large-scale sculptural works, I create environments and vignettes that invite viewers to consider America as a place shaped by layered arrivals, contested belonging, and unfinished histories.
Artwork
- what you can never fully hold, 2025. resin, fiberglass, pigments, inks, volcanic sand, peacock feathers, personal and historical photographs on vellum and steel
- it's almost like you're here, 2026. Resin, pigments, inks and acrylic
- aching, waiting, praying, 2026. Resin, pigments, inks and acrylic
- here to stay, 2026. Resin, pigments, inks, necklace chain, and steel bar
- In our flames, 2025. Resin, photograph on transparency, vellum, peacock feathers, volcanic sand, necklace chains, glass, cement, magnets, fiberglass, and steel.
- Another day, 2025. Resin and pigment
- time to face the sun, 2026. Resin, pigments, inks, necklace chain, and steel bar
- I watch the moon, 2025. Resin, pigment and volcanic sand
- Where you are, you will find, 2025. Resin, pigments, inks, necklace chains, volcanic sand, and photograph on vellum
- Still Dancing, 2025. Epoxy clay, resin, cement, pigments, acrylic paint, glitter, surface transducers, amplifier and iPhone playlist.
- Setting sun, 2025. Resin, pigment and volcanic sand
- Midnight swallows purple hue, 2025. Resin, pigment, peacock feathers, volcanic sand, photograph on vellum, and necklace chain.
- plagued by longing, 2024. Resin, pigments, gloves, fabric, and necklace chains
- longing II, 2024. Resin, gloves, pigment, necklace chain.
- remedies, 2023. Epoxy clay, resin, peacock feathers, medical casting tape, DuoMatrix, necklace chains, and half empty sake bottle.
- circling you like the ocean, 2023. Forton, resin, acrylic paint, fiberglass, and ceramic.
- what if i trust myself endlessly? , 2023. Oil pastel and acrylic on panel
- she haunts, 2023. Oil Pastel on panel
- and sisters, 2022. Paper, acrylic paint, oil stick, epoxy resin, necklace chain, and epoxy clay.
- hard times are good times, 2021. Paper clay, paper, duoMatrix, acrylic paint and epoxy clay
- can't be the only one, 2021. Paper, ceramic, epoxy resin, metal chain, acrylic paint and eucalyptus
- Her last name is also Fumar, 2019. Forton, acrylic, and band aids.
- gathering, 2019. Forton, acrylic latex paint, unfired clay, watercolor, wax, plaster, and epoxy.
- all fours, 2019. Forton, enamel, acrylic latex paint, special objects, unfired clay, epoxy, watercolor, oil pastel, and polyurethane foam.
- Libra, 2018. Forton, acrylic latex paint, rope, and unfired clay
- Boulders resting on a blade, 2018. Forton, acrylic latex paint, rope and wood
- Happy Object, 2017. Forton, acrylic latex paint, rope and polyurethane foam
- we are where we are not, 2017. projector and video loop