Laura Splan
Lives and works in Brooklyn, NY, USA
Artist statement
STATEMENT My creative practice functions as experimental and investigative, narrative and performative, culturally situated and personal. I challenge delineations of Art, Design, and Craft to disrupt categories of knowledge production with interdisciplinary artworks and exhibitions. My projects and engagement examine cultural intersections of Science and Technology to reveal their shared inheritance and imagine their entangled future. BIO Laura Splan is Brooklyn-based artist and researcher working at the intersections of Science, Technology, and Culture. Her transdisciplinary practice reframes artifacts of the posthuman landscape to unravel entanglements of natural and built systems. Her internationally recognized artworks and exhibitions have been presented at the Brooklyn Museum, Musea Brugge (Bruges), Museum of Arts & Design (NYC), Centre d’Art Santa Mònica (Barcelona), San Francisco Museum of Modern Art, Pioneer Works (NYC), and The Nobel Prize Museum at Liljevalchs (Stockholm). Her work is represented in the collections of Thoma Art Foundation and Chan Zuckerberg Initiative and has been commissioned by the CDC Museum in association with The Smithsonian Institution (Washington DC), the Vanderbilt Museum Planetarium (Centerport, NY), and Bruges Triennial. Her research has been supported by the Simons Foundation, NEW INC at the New Museum, Jerome Foundation, Knight Foundation, and Pollock-Krasner Foundation. As a speaker and educator, she has been a National...
Artwork
- Baroque Bodies (Ambient Portals), 2022. 4K animation with data-driven spatial soundscape and AI-generated imagery reflected in 3D models
- Tangible Variations, 2022. computerized Jacquard cotton weavings
- Syndemic Sublime (Pangolin, Llama, SARS-CoV-2), 2021. data-driven computer-generated animations created using molecular visualization software, python programming, and COVID-19 data
- Rhapsody for an Expanded Biotechnological Apparatus, 2022. sound, tactile transducers, textiles sculpture made with hand-spun laboratory llama and alpaca fiber, vinyl text
- Unraveling (Raspberry/Slate/Violet), 2020. UHD 4K video (molecular visualization animations with SARS-CoV-2 spike protein models)
- Lumen & Chaperone, 2019. haptic sound sculpture with latch-hooked rug made from hand-spun laboratory llama and alpaca wool
- Remote Entanglements, 2019. text behind wind-data actuated fan networked to biological laboratory animal farm (fan, wind data networked microcontroller, infrared sensor)
- Blank Stare, 2016. laser etchings on archival watercolor paper with electroencephalogram (EEG) data-driven patterns
- Embodied Objects, 2016. computerized Jacquard weavings with electromyography (EMG) data-driven patterns
- Manifest (Blink Twice, Swallow, Squint, Frown, Furrow, Smile), 2015. laser sintered polyamide nylon, data-driven 3D-printed sculptures using electromyography (EMG) readings of facial expressions
- Doilies (SARS, HIV, Herpes, Influenza, Hepadna), 2004. computerized lace sculptures based on virus structures (SARS, HIV, Herpes, Influenza, Hepadna)