Leslie Fry
Lives and works in Winooski, VT
Artist statement
My freedom comes from creating imaginary beings that live in a world of infinite possibilities. I work in my garden – a living theater for inanimate and animate bodies. Densely planted lavender, golden cosmos and quince grow among sculptures of sphinx sentinels, dryads, and watchful birdwomen. Within the tall-hedges benign female deities reign while goldfinches feed on sunflowers and humans drink coffee. Figures morph with animal, architecture, and vegetal forms; plants become bodies with fleshy petals and pods. Working with ancient processes, I feel connected to centuries of the hand-made. I model hybrid bodies with wax or clay. I either fire clay, or make molds and cast the sculptures into bronze or concrete. I choose materials that feel good in my hands; the malleability of earth clay, the melting and cooling of wax, creamy plaster turning solid, the weight and flow of bronze, the stony hardness of concrete. I’m devoted to intricate detail and complexity to make the imaginary feel real. For instance, I’ll blend the veiny texture of leaves seamlessly into many delicate hands that become hair on a head that sprouts a tiny columned Greek temple. I savor the surprise results from collaborating with the garden. The ever-changing compost pile gives me a stage to photograph cut-paper figures interacting with dahlias, peonies and smoke-tree leaves. I dig into its glorious rot and make forms to pour plaster into, resulting in rough earthy textures. Pruned branches and roots...
Artwork
- Limbs, 2025. Roots, acrylic on epoxy clay, wood
- Would, 2025. Ceramic with underglaze on wood pedestal
- Melange, 2025. Ceramic with oxide and underglaze on painted cast iron pedestal
- Fit, 2025. Ceramic with underglaze and oxide on wood pedestal
- Spiraling, 2025. Ceramic with glaze on wood column
- Dryad, 2025. Ceramic with underglaze and oxide on wood pedestal
- Blue, 2025. Ceramic with underglaze and oxide on painted steel
- Fleur, 2025. Ceramic with underglaze on wood pedestal
- Billow, 2025. Ceramic with underglaze on altered wood table
- Stand, 2025. Ceramic with underglaze with cast iron base
- Wood Pile, 2025. Ceramic with underglaze, acrylic, and wood on altered wood table
- Twist, 2025. Ceramic with glaze on painted steel base
- Touched, 2025. Ceramic with underglazes and oxide
- Bouquet, 2025. Ceramic with underglaze
- Feat, 2025. Ceramic with underglaze and oxide
- Apex, 2023. Ceramic, wood
- Preternatural, 2023. Wood, oil on resin
- Sybil, 2023. Ceramic, wood, steel
- Amelia, 2023. Ceramic, wood
- Purple Haze, 2023. Acrylic gouache on resin
- Sprout, 2023. Oil on resin & epoxy clay
- Claw Flower, 2024. Painted cast iron and epoxy clay
- Alice II, 2024. Hemp, plaster, steel, glue, illustrated pages from Through the Looking Glass (from the original book read to the artist by her father throughout childhood)
- Arise, 2022. Bronze
- From the Cuffed series, 2023. Oil on resin
- From the Cuffed series, 2023. Oil on resin
- From the Cuffed series, 2023. Acrylic gouache on resin
- Release/Receive, 2024. Bronze with silver patina, wooden base with gesso transfers, acrylic
- Cuffed 3, 2023. Bronze (dimensions don't include brick base)
- Cuffed 5, 2023. Bronze (dimensions don't include brick base)
- Center Stage, 2020. Ink and fabric paint on vintage tablecloth
- After Orazio Gentileschi's Judith and her Maidservant, 2020. Ink on vintage tablecloth
- Reveal, 2020. Ink on vintage tablecloth
- After Caravaggio's The Incredulity of St. Thomas, 2020. Ink on vintage napkin
- Handing, 2020. Ink, transfers on vintage table runner
- Body Buildings, 2020. Ink, transfers on vintage table runner.
- Does Size Matter? Russia, U.S., Ukraine, 2020. Ink and gouache on vintage tablecloth
- Stride, 2021. Aluminum print
- Panache, 2018. Collage on monotype.
- Kicks, 2018. Collage on monotype