Lilian Kreutzberger
Lives and works in New York City, NY
Artist statement
As painter and sculptor my aim is to imagine the potentials and the futilities of utopias, urban space and digital space and materialize it into a visual and physical experience. The project I am currently working on combines the notion of materiality, surface and representation in an ever advancing connected digital world. The speculation is that in future times we will be surrounded by microLED surface applied on architecture, furniture, plants etc, displaying images and moving images. Shapes, function and volume related to materiality are obsolete. Objects and material devoid of meaning can then be collaged back into new folly objects and paintings. For example when volume is reduced to an image, shadow and light become arbitrary, and can be used as manipulated ornamentation. Marble, when reduced to image, can interact with its frame and seemingly drip over and through it. If edges have become obsolete due to lost of volume, the ornamentation, normally found around doors and windows, can become an infinite sculpture that is put together in different shapes depending on the space (Ich bin auch eine Zeichnung).
Artwork
- buzz object, 2020. wood, plexiglass, Ledlight
- 2020. wood, plexiglass Ledlight
- 2020. wood, plexiglass, led light, moldable plastic
- 2020
- Highlight, TU Delft (Technical University), 2020
- FOAM, Photography Museum Amsterdam, solo presentation, 2019
- Supersurface, 2019. Digital transfer onto plaster, wood.
- FOAM, 2019. Wood, lasercut wood, photo transfer onto plaster and moldable plastic
- SuperSurface, 2019. Plastic plant with digital photo transfer, plaster tiles with manipulated marble print photo transfer
- n.t., 2017. Digital transfer onto plaster, lasercutwood.
- n.t., 2019. Colored plaster onto lasercut wood.
- n.t., 2017. photo, found images, digital print, wooden frame
- 2019. found photo, digital print, wooden broken frame
- FOAM, 2019
- n.t., 2019. digital photo of marble transferred onto plaster, wooden frame
- n.t. UNFAIR, Bienale Amsterdam, 2018. Digital photo of frames transferred onto plaster tiles, 2 way mirror, led light
- Supersurface, 2017. Digital transfer onto plaster, wood.
- n.t,, 2018. neon light, plastic metal
- 2018. neon light, steel, plaster
- n.t., 2018. Digital photo transferred onto plaster of shadows of the lasercut wooden frame
- Ich bin auch eine Zeichnung, CINNNAMON Gallery, Rotterdam, Whiteandgold. && Blackandblue, 2018. wood
- Ich bin auch eine Zeichnung, CINNNAMON Gallery, Rotterdam, Whiteandgold. && Blackandblue, 2018. wood
- n.t., 2016. Acrylic plaster in lasercut wood
- n.t., 2017. Digital transfer onto plaster, wood, metal.
- n.t., 2017. phototransfer onto plaster, steel.
- n.t., 2016. Digital transfer onto plaster, lasercut wood.
- n.t., 2016. Digital transfer onto plaster, wood, digital photo.
- Black Circle, 2015. Acrylic in plaster, lasercut wood
- n.t., 2015. Acrylic paint in plaster, lasercut wood
- The City of Tomorrow, 2014. Wood
- The City of Tomorrow, 2014. Wood
- Grid, 2014. Plaster in lasercut wood
- n.t., 2014. Oil paint on paper
- Engineering Hope, 2013
- Engineering Hope, 2013
- Tower of Babel - Panopticon, 2013
- n.t., 2013. charcoal on paper
- 2012. Acrylic on paper
- 2011. Acrylic on paper
- 2007. Acrylic on canvas