Lou Peralta
Lives and works in Mexico City, CDMX, Mexico
Artist statement
Artist Statement I consider that a photograph does not belong solely to the person who appears in it, but also to the one who produces it. From my perspective, a photographer can only register what they recognize within themselves, and in that encounter a relational dimension of the work is configured—one that remains active when the piece is exhibited. I come from a family of traditional photographers and grew up observing the evolution of photographic technology—cameras, lighting, laboratories, and printing processes. This passage between the analog and the contemporary is part of the way I think about images. Following a personal limit-experience, I decided to shift my practice toward other ways of using technique, seeking for the medium to respond to my own questions. At this point, Georges Didi-Huberman’s idea that images do not merely represent but produce presence and activate experiences became especially relevant to me—a notion that allowed me to think of photography beyond its descriptive function. I am currently researching what remains of a person beyond their appearance. Through studio work and the subsequent image-making process, I identified that what persisted was not the memory of features, clothing, or setting, but rather a sensation of presence. This observation led me to explore readings in contemporary physics—such as string theory—and notions of spirituality understood not as religion, but as the idea that the body is only one part of a broader whole....
Artwork
- Over-flow, 2026. Overflow. Disassemble VI (life series), 2026. Wood, gold leaf, and sublimated polyester fabric
- Over-flow II. Overflow. Disassemble VI (life series)., 2026. Chromaluxe prints with walnut wood frame
- Quantum Glamour. Overflow. Disassemble VI (life series), 2026. Mink, chinchilla, and metallic fiber.
- Infinity. Overflow. Disassemble VI (life series)., 2026. Cold porcelain, wire structure, stickers.
- Remains. Overflow. Disassemble VI (life series)., 2026. Metal, vintage album base with drawer, sublimated polyester fabric, and dry branches
- Administrator of Shine. Overflow. Disassemble VI (life series)., 2026. Aluminum, wig, and nylon mesh.
- The Water Bearer, 2025. Antique wooden frame with gold leaf and wooden stretcher with an ’80s C print transferred to canvas with lamination. Portrait in acrylic with UV ink print, silk threads dyed with organic inks, and a gold-painted silk cocoon
- Spherical Lens, 2025. Routed clear acrylic, archival pigment print on routed metallic paper, yellow acrylic on edges, and hand blown glass spheres (handblown glass — vidrio soplado)
- Golden Answer. Moiré, the Weight of Light Series., 2026. Various metal alloys, pewter, and gold leaf.
- Disassemble #13. Disassemble Series V, Portraits of the Invisible - Volume 2 “Connected”, 2023. Three-dimensional photo sculpture, with a hand-woven copper wire net with archival pigment prints in Hahnemühle rice paper and wood. Unique piece.
- Disassemble #14. Disassemble Series V, Portraits of the Invisible - Volume 2 “Connected”, 2022. Three-dimensional photo sculpture, with a hand-woven copper wire net and steel wire, with archival pigment prints in Hahnemühle Rice paper.
- Comalli #12, 2020. Archival pigment print with pink kraft paper
- Comalli #7, 2020. Archival pigment print with feathers