Magdalena Dukiewicz
Lives and works in Brooklyn, NY, USA
Artist statement
With a multidisciplinary approach that is often site-specific, my practice is process-based and a combination of material experimentation and method. My works revolve around the binomial of art-nature, experimental sculpture, and interactive art, exploring topics such as transhumanism and posthumanism but also current issues in socio-politics. I use mostly organic materials such as hydrolyzed collagen, bones, soil, squid ink, hair, and blood, among others, as well as found objects. Each material is chosen for its potential for transformation and intrinsic properties. The works are fragile, meant to break down over time until they finally decompose. The performativity of these pieces is their most significant property. An important part of my statement relates to ecology - my sculptures leave no waste. I also have an interest in playing with materials that are culturally charged with meaning, like blood and bones. The technique that I use is my own; one that I have developed over time through experimentation. The work is not about science per se, but I use scientific processes to create the visual representations of my concepts. I am more interested in the phenomena that run our world, general concepts that I can relate to and translate visually, such as biological and physical processes or social studies. At the core of these investigations a curiosity of how the universe works and what our role and place in it is, our relationship with each other and with nature.
Artwork
- turf thieves, 2021. sod, clay, thread, photography
- Elements of Perturbation, 2020
- Element 2, 2020. hydrolyzed collagen, glycerin, artist blood, squid ink
- Element 3, 2020. hydrolyzed collagen, glycerin, artist blood, squid ink
- this is my body, this is my blood, 2020. series of sculptures/objects made out of artist own blood and hydrolyzed collagen with air bubbles
- Framed, 2020. hydrolyzed collagen, glycerin, natural dyes, wood, LED lights
- singular plural, 2020. gelatin capsules of different sizes dimension variable
- Entropy, 2019. mobile installation cuttlefish ink and hydrolyzed collagen with air bubbles, metal wire, dimension variable
- Flesh and Blood, 2018. series of sculptures made out of blood and hydrolyzed collagen with air bubbles
- bastard 4, 2018. hydrolyzed collagen with air bubbles
- Bastard 2, 2017. hydrolyzed collagen and air bubbles
- Bastard1, 2017. hydrolyzed collagen, air bubbles and very small, almost invisibles organic elements such as hair, nails, fragments of fish bones
- Bastard 3, 2017. hydrolyzed collagen and air bubbles
- objects, 2016. bones, plants, moss, agar
- La Isla ( An island), 2015. plants and insects, sand, polyester resin
- Moths and Man, 2014. textiles, threads, notes, newspapers, polyester resin and epoxy, photos
- amelia kent returs home, 2013. various