Micaela Vivero
Lives and works in Newark, OH, USA
Artist statement
Artist Statement Micaela de Vivero A critical idea in my installation work involves the conceptualization of installations as associations between viewers and space. An installation entails many relationships: between the viewer and the art, between structure and movement, and between space and circulation. In my own practice, I think while making. I make through lines, volumes, colors and space, which are my tools. I create relationships between my work and the spaces it inhabits. I make artwork out of soft, malleable, porous materials, which many times are suspended and take their shape through the relationships with other elements that form the work. In my work, through these relationships, I privilege empty space over mass, lightness over weight, movement, precariousness, fragility, ephemerality and instability over stability. The pieces I create become large-scale sculptures or multi-object installations in which the viewer must move and participate with their presence. I approach my installations as compositions in space in which I create an opening for the viewer to circulate through the installation, experiencing it physically, emotionally and visually. I create environments that are larger than human-sized. I want them to be monumental in scale, making the viewers feel small in relation, and questioning their own sense of self. The audience’s experience while circulating my installations, is of extreme importance to me. The act of circulating the installations I...
Artwork
- Khipus, 2025. fibers
- Tocapus, 2025. hand-made paper and gold leaf
- Tocapu, 2025. hand-made paper, gold leaf cotton thread
- Puma City and Wak'as, 2024. wire, pigs' intestines, gold leaf and hand-made paper
- Guaman Poma, 2024. hand-made paper, gold leaf and historic prints
- And on a windy day it got caught on a tree..., 2019. netting, dyed sisal and acrylic painted polyurethane
- The You and the I, 2015. dyed sisal and acrylic painted polyurethane
- Limbs, 2016. copper wire
- Blue, 2020. air ducts and denim
- Oro no es/ Gold, is it not?, 2020. hand-made paper with gold leaf and acrylic ink on watercolor paper
- Oro no es/ Gold, is it not?, 2021. hand-made paper with gold leaf, gold thread embroidery, fragments from texts from various sources on the internet and partial image of a 1613 copper plate engraving by Theun de Boy
- Alone, Together, 2020. wood, dyed sisal, acrylic painted polyurethane, gold leaf
- Current, 2021. thread
- Te Atendería, 2021. thread
- Germinating Brick, 2015. wood, bamboo, casing, hemp