Nathalie Basoski
Lives and works in Brooklyn, NY, USA
Artist statement
As a Dutch-Macedonian photographer and visual artist based in Brooklyn, NY, foreignness is a cornerstone of my identity. Navigating my status as an immigrant, as queer, as a polyglot, I know familiarity to be fleeting and memory to be fragmentary, and my art similarly elides easy categorization. Through photography, video, and mixed media, I visually examine the insufficiency of recollection, creating works that feel like a hazy childhood memory. I contemplate the condition of displacement and the struggle for assimilation through retrospective visual narratives in which I combine used materials like linen, curtains, and clothing with photographs printed on textiles that portray intimate landscapes, domestic settings, and the aftermath of inhabitation. Honoring the traditions of predominantly female quilt-makers, whose art for so long was seen as purely utilitarian, I transform images of the mundane into works that are both fantastical and inescapably human. By tightly cropping these images, I remove the wholeness of these photographs and video stills and reconfigure them to evoke the feelings of selective recollection.
Artwork
- Stop Looking at Me, 2024. 35mm photographs printed on canvas, stitched with denim.
- A Tale of Reremembrance, 2025. linen curtain, canvas, ink, cyanotype, vhs stills on silk organza
- Unforgettable , 2025. Spray paint, canvas, linen, cotton, wool
- Places To Remember, 2025. Spray paint, canvas, linen, silk organza
- You’ve Called The Past But It Never Picks Up, 2025. Spraypaint, 35mm photographs printed on canvas, linen, cotton, wool
- You Could Not Pin Point It, 2025. Spray paint, canvas, linen, cotton, wool, doilies, vhs stills printed on silk organza
- Bike Chain, 2024. Jute, linen, polyester, canvas, denim, cyanotype on cotton