Nature Shankar
Lives and works in New York, NY, USA
Artist statement
My practice builds upon the belief that the body holds emotional memory—generational, personal, communal, cultural, and political—and that these embedded experiences continually reshape the frameworks through which we form identity and make meaning: how we see and feel the world. I attempt to reclaim agency over these embodied frameworks by unearthing embodied memory and emotion through my making process. I adopt tactile, craft-oriented techniques—paper-making, embroidery, textile collage—to reacquaint the self with the body as a conscious, meaning-making entity that mediates experience. My touch-heavy, experimentally driven process blends material manipulation and mark-making in the spirit of abstraction. Abstraction’s boundless capacity serves to shift focus from the observable to the inward, felt reality—centering embodied knowledge outside overarching systems. In doing so, I hope to contextualize our relationship to presence, existence, the self, and one another—especially where these experiences resist dominant cultural narratives. From friction-full gestures—pulping, ripping, rubbing—to meditative actions—embroidering, dyeing, collaging—each stage of making is a site of intimate transformation. Stains and fragments merge over time, allowing emotionally charged narratives to simmer to the surface. Beyond the meaning-making mechanism(s) behind eyes, between ears and all our nerves, I am informed by craft theory, embodiment theory, psychology, neuroplasticity, Eastern...
Artwork
- Begone, Bygones (Distance makes the heart grow fonder. I get it now, mother), 2025. paper pulp, calico, voile, cotton thread, silkscreen mesh, sari, dye, acrylic, charcoal, graphite, color pencil on calico and cotton canvas
- From this life, to the next, to the first one all over again, 2025. paper pulp, calico, voile, cotton thread, silkscreen, sari, dye, acrylic, charcoal, graphite, color pencil on calico and cotton canvas
- Karma, 2024. paper pulp, calico, cotton thread, Chinese ink, dye, acrylic, charcoal, graphite, color pencil on calico
- Linger, Stain, Friendship in Vain, 2024. paper pulp, calico, cotton thread, Chinese ink, dye, acrylic, charcoal, graphite, color pencil on calico
- Land of the Lost, 2024. Dye, acrylic, charcoal, graphite, color pencil in/on paper pulp, calico, on voile and calico on basswood panel
- Geyser , 2024. Dye, acrylic, charcoal, graphite, color pencil in/on paper pulp, calico, on voile and calico on basswood panel
- Riding Pillion, 2023. Paper pulp, dye, ink, color pencil
- Tethered, 2023. Mixed Media
- Soul Mountain , 2023. Mixed Media
- Seeing Through Ferns, 2022. Fabric and Paper Pulp, Turmeric, Sand, Calico, Charcoal, Plywood, Dye, Rosella Tea, Graphite
- Cloudy Vision, Splinters and a Tiny Man, 2022. Fabric and paper pulp, dye, turmeric, rosella calico, plywood, charcoal, sand, graphite, cotton thread
- As Above So Below, 2021. Repurposed fabric, cotton thread, paper, turmeric, dye and graphite on calico
- There's a Portal in the Desert, 2021. Repurposed fabric, cotton thread, paper, turmeric, dye and graphite on calico
- Out of Bound(s), 2018. Hand embroidered on archival fabric, stuffed with archival oil paintings, fabric, and past works. Collaged archival fabric, oil paintings, fabric, embroideries, handmade paper and past works on a wooden frame
- Somewhere Along the Line(s), 2017. Repurposed Fabric, Sari, Hand-dyed cotton thread, ink, graphite, charcoal, family chair, rattan
- Root(s) To Existence, 2017. Hand Embroidery and Screenprint on Voile and Sari