Nick Mittelstead
Lives and works in Philadelphia, PA, USA
Artist statement
Nothing lasts forever, but maybe the impermanence of things is unfairly colored by our mortality: we live and then we die, existing and suddenly not. Maybe rather than emerging into being and disappearing from history, all things fade in and out of view, oscillating between being and not. My work seeks to express this oscillation by reinvigorating historical practices, objects, and stories using new media and a material-based approach. My work begins with a metaphorically charged material treated with historical accuracy. I sculpt landscape forms using earthen materials, I display videos on broadcast monitors, I record sounds on magnetic tape and other obsolete platforms. By maintaining a materialistic fidelity to anachronistic source material, I am free to then gently swing the past towards the present using new media. Sculptural forms come from 3D prints, videos from AI, and recorded sounds are generatively produced. This mingling of contemporary technology and historical materials and practices situates the old within the new and results in work that appears to emerges from the past, lives in the present, and teeters on the precipice of swinging back into obscurity. These works aspire to optimistically reimagine ideas about our own permeance.
Artwork
- Nails on a Bell, 2023. Generative Sound on Magnetic Tape, Singing Bells, Nails on a Chalkboard, Nagra III, Animal Tallow
- Mithridate (Infinite Recipes for a Better Life), 2023. Video using OpenAI API
- Opposition Surge (Ways to See the Gassendi Crater), 2023. Porcelain, Burnished Graphite, Singularity Black Velvet, Resin, Chroma Key Latex Paint
- Intrinsic Light (Sungazing), 2022. Generative Video, Static
- 1 Cup of Philadelphia Water, 2022. Glass, Plastic Wrap, Water
- A strange new kind of in-between thing. Ένα παράξενο νέο είδος μεταξύ. A strange new species in-between. (Miasma), 2021. Performance for Magnetic Tape and MAX MSP, Selected Text from Sophokles’s Antigone (trans. Anne Carson & Google Translate), Two Akai 1700s
- Come Telos (1/3 Works in Need), 2021. Quadraphonic Installation/Performance for Modular Synthesizer and MAX MSP in Eporner API, Bird Calls, Internet Pornography
- Mimetico (2/3 Works in Need), 2021. Generative Video for MAX Jitter in Eporner API, Internet Pornography
- wXYz (3/3 Works in Need), 2021. Telo Mimetico Fabric
- Provenance and its Melt (A Series), 2020. Photogravure, Metadata
- Enjoy Series Please, 2019. Neon, Nepenthes alata Scion and Ficus elastica Rootstock (Non-Viable), Beef Tallow, Jacques Brel’s Quand on n'a que l'amour, Flies
- "What chainsaw?", 1960. 1960s Lombard Chainsaw, Performance
- Aged Out, 2022. Burnished Graphite, Casein
- Sieged, 2022. Burnished Graphite, Casein
- Flocked, Found, 2022. Burnished Graphite, Casein
- Super Cooled (After Nomura), 2022. Burnished Graphite, Casein
- Chimed, 2022. Burnished Graphite, Casein
- Carved Over, 2022. Burnished Graphite, Casein
- Capped, Dug, 2022. Burnished Graphite, Casein
- Drilled (After Courbet), 2022. Burnished Graphite, Casein
- Mithridated, 2022. Burnished Graphite, Casein
- Everyone Alive, 2018. Ballistics Gelatin, 852,392 Names, USB Drive, Wikipedia, Code, TextEdit Document
- Trompe-l'œil Tarp, 2017. Indigo, Linen, Enamel, Brass
- Interferences I, II, & III, 2018. Xerox Transfer Prints on Rives BFK, Topical Anesthetic, Black Walnut
- Hollowed Out Gods (Instrumental), 2018. Sound, Black Walnut
- A Rotating Chairmanship, 2018. Porcelain, Black Walnut, Earth from [42.161798, -83.697082], Felt, Resin