Nicole Rademacher
Lives and works in Los Angeles, CA, USA
Artist statement
A gate admits and refuses. A filter removes and puts something else in its place. Erasure creates both debris and disappearance. Image and sound resist synchronization, producing no single version. Translation drifts. And documents contradict one another, with none allowed to win. Through video, drawing, installation, photography, ceramics, and participatory structures, I make work where different forms of evidence produce incompatible accounts. Family photographs, my brothers' memories of a house I never entered, bureaucratic documents, an audio recording of my own sobbing, the graphite an eraser leaves behind: each makes a claim, but none settle what happened, who belongs, or what can be known. For decades, I have been considering these questions through my work. A typewriter carriage decided where a story broke. Family members’ stories were cut apart and reassembled; no single account governed the narratives. Across unrelated locations and encounters, small movements between bodies recurred while the circumstances around them remained distinct. I invent parameters. I listen to the materials, which have their own logic. Vellum transmits, obscures, and shifts with air. Classification determines what can move, what must remain, and who is permitted to decide. These are not illustrations of uncertainty. They are its conditions. Born to one set of parents and adopted by another. My adoption was closed. That is one structure where identity can be authored by institutions and...
Artwork
- Can I Grieve That Which Never Was?, 2022. C-prints from family archives, vellum, and photo album. Sixteen framed 5 × 7 in. photo collages and ten 8 × 10 in. collages arranged in a photo album. Installation dimensions variable.
- La cerámica tiene memoria, 2026. 19 graphite erasure drawings on matboard; graphite shavings held in porcelain patens on porcelain stands; empty matboard, ledge, paten, and stand for an absent twentieth drawing; worn eraser; monitor with single-channel video and sound in four successive versions, each replacing the previous version during the exhibition. Installation dimensions variable.
- Gate Pass, 2016. Three-channel video, 10:56; Six hand-cut photographic dioramas on chipboard, 11 × 13 × 2 in each; Installation dimensions variable
- Not Valid for Identification Purposes, 2024. Inkjet print on vellum, paperclip, monofilament 8.5 × 11 in. (sheet); installation dimensions variable
- Light. Luz/Lumbre/Ligera ~ Light. Light/Light/Light, 2026. Single-channel video comprising sixteen image fields projected by one projector across torn vellum sheets suspended on monofilament; hand-formed, bone-dry porcelain weights; independent stereo audio through a hidden sound bar. Installation dimensions variable. Video loop: 2:19; audio loop: 3:33. Installation documentation excerpt: 0:47.
- A score for one score beginning after one score and 6 years, 2026. Scored de-installation with written instructions and categories, participant notebooks and photographs, existing artworks and exhibition materials, archival bags and boxes, kraft paper