Noa Yekutieli
Lives and works in Brooklyn, NY, USA
Artist statement
Engaging various mediums, including installation, assemblage, and a signature manual paper-cutting technique, I explore personal narratives and multi-hyphen identities within the context of immigration, assimilation, and conflict. The manual paper-cutting contains a long-duration meditative process, one that stands in contrast to the fast-paced digital world we are living in; I seek to look deeper into the consequences of our actions, finding high importance in staying present with the void. Drawing from my Japanese heritage, I cut negative spaces within a singular piece of black paper through which I explore negative space as a present element, one that creates a space rather than being mere emptiness. Coming from a multicultural family, my works often combine a diversity of materials that echo longing for unknown singular origins and fractured notions of home. As a Japanese-American-Israeli, I use objects, crafts, and heritage techniques to nurture my sense of belonging, rooting my work with underlying narratives. Through my practice, I attempt to reconcile what can be seen as odds. I often merge flora patterns and imagery of destruction to consider the emotional camouflage mechanisms we develop as individuals and as a society, especially around conflict and loss. Through the juxtaposition of patterns of destruction and nature, I raise questions about the similarities and differences within these cycles. I explore how camouflaging the painful reality can both help and...
Artwork
- Studies of Weight and Support, 2026. Broken cast concrete, metal mesh, hand cut Shibugami paper
- Where We Stand, 2023. Manual paper-cutting
- Shoji Screen, 2021. Manual paper-cutting
- No Longer, Not Yet, 2023. Site-specific installation, manually cut paper, hand cut wood, stretched fabric, large scale prints
- One feels its carrying the other can’t stand, 2023. Hand cut wood, manually cut paper
- Collapsing into growth, 2023. Site-specific installation, manually cut paper, hand cut wood, stretched fabric
- Leaning fearfully to feel the growth, 2023. Hand cut wood, stretched and sewn fabric, manually cut paper
- Studies of Weight and Support , 2026. Broken cast concrete, rubber mesh, hand-cut shibugami paper
- Studies of Weight and Support, 2026. Broken cast concrete, rubber mesh, plastic bag, hand-cut Shibugami paper
- Studies of Weight and Support, 2026. Broken cast concrete, metal mesh, hand cut Shibugami paper
- Studies of Weight and Support, 2026. Broken cast concrete, cementitious patching compound, rubber mesh, hand-cut shibugami paper
- The Chaos in Order, 2020. Manual paper-cutting, photography, mixed media cement
- Saving flowers from the fire, 2024. Hand cut wood, stretched fabric, manually cut paper
- It scared the eyelids, 2023. Hand cut wood, stretched fabric, manually cut paper
- The Floor Couldn't Hold a Home, 2023. Site-specific installation, plaster, cement, debris, manual paper-cutting, tissue paper, Indian ink
- The Base Was Not That Thick, 2022. Cut wood, fabric, manual paper-cutting
- The Crack That Formed, 2022. Manual paper-cutting, wood, fabric
- Can a pattern be reversed? , 2022. Manual paper-cutting, wood, fabric
- Bare Skin, 2022. Manual paper-cutting, hand woven textile
- Sides, 2022. Manual paper-cutting, wood, fabric
- Growth, 2022. Manual paper-cutting, wood, fabric
- A Constellation of Elsewheres, 2022. Manual paper-cutting, wood, fabric
- We Say It's The Nature of things, 2021. Manual paper-cutting
- This Cannot Be Aired Out, 2023. manual paper-cutting, laundry rack
- The Things We Go To Bed With, 2022. Manual paper-cutting, hand woven textile
- The Minor Became Major, 2022. Manual paper-cutting, wood, printed silk
- Some People Stopped Watching, 2019. Manual paper-cutting, found debris