Onyeka Igwe
Lives and works in London, UK
Artist statement
My work is dominated by a preoccupation with the physical body and geographical place as sites of cultural and political meaning. Namely, the contradiction between their internal structures and external representations. I am animated by the question — how do we live together? — with particular interest in the ways the sensorial, spatial and non-canonical ways of knowing can provide answers to this question. She uses embodiment, archives, narration and text to create structural ‘figure-of-eights’, a form that exposes a multiplicity of narratives. The work comprises untying strands and threads, anchored by a rhythmic editing style, as well as close attention to the dissonance, reflection and amplification that occurs between image and sound. My ambition is always towards a visceral and affective experience that disrupts and complicates notions of knowledge and documentation.
Artwork
- The Miracle on George Green, 2022
- a so-called archive, 2020. video
- the names have changed, including my own and truths have been altered, 2019
- There Were Two Brothers, 2019. illustrations printed on paper, soundscape , cassette player, Guinness, coke & palm wine and two metal storage trunks.
- Specialised Technique, 2018
- Corrections, 2018. 2 screen video, metal table, works on paper, lentincular postcards
- Sitting on a Man , 2018