Ophelia Arc
Lives and works in Providence, RI, USA
Artist statement
Obsession functions as the driving force behind my practice, which spans across textile, sculpture, and collage, exploring the fluidity between each medium. My work is done by hand, whether that be hand-sewing, crocheting, or drawing. Doing each aspect myself becomes crucial in the control I have over the object and the process. It also functions as a testament to my existence, a reminder of presence even when working through dissociative states. The focus on materiality within my object-making is accompanied by a feminist-based research practice which situates itself within the realm of theory, philosophy, and psychoanalytic text. Psychiatrist Domina Petric defines the term 'psychological knot' as a tangled configuration of thoughts, emotions, or beliefs stemming from trauma. This knot is where I begin my research and, though a mutative process, I work to deconstruct and then re-stitch everything back together. Using the works of writers such as Susan Sontag, D.W. Winnicott, Julia Kristeva, and Siri Hustvedt, I work to analyze fragments of my childhood and subjecthood. Overarching themes can be grouped into various pairs of contradictions such as care/malice, starvation/consumption, and melancholia/mania. I see all of my work as a form of skin—whether taut over frames, sutured onto paper, or stuffed into three-dimensional form. They are subject to constant care and harm, mutilating and mending, echoing life's paradoxes.
Artwork
- self embodiment conflict III, 2024. crayons, graphite, Arcoroc Canterbury Dinner Plate rubbing, photos of the artists mouth and graph paper
- self embodiment conflict II, 2024. crayons, graphite, Arcoroc Canterbury Dinner Plate rubbing, photos of the artists teeth and graph paper
- self embodiment conflict I, 2024. crayons, graphite, Arcoroc Canterbury Dinner Plate rubbing, photos pf the artist, from the artists childhood kitchen, photo of window from Fisher Price 1997 Loving Family Dollhouse, pink masking tape and graph paper
- metamorph with blockage, 2024. textile scultpure
- the looming presence of one’s own web, 2024
- impending capture (to follow the pull), 2024
- program paradox (pray to something, magic circle I), 2024
- speculating a way in which i could have protected you, 2024. flaying
- i saw a white bird (on explaining a hallucination), 2024
- a soft damp cavern and its former inhabitants, 2024
- endosymbiosis / synnercrosis, 2024. flaying
- resorption/reabsorption , 2024
- starvation motive, 2024
- “home” and other figments, 2024. sculpture
- procedural memory in marrow (catch and release cognitive loop), 2024
- in case we built that tree house, 2024. sculpture
- a counterclockwise pull towards you, 2024
- i myself am a strange loop, 2024. sculpture
- biologic ingest, psychologically uncomfortable forms of wound debridement at the site of injury, 2024. flaying
- system for draining wounds, 2024
- autophagy as a path to self reliance (i don’t need anyone or anything, i don’t even need myself), 2024. sculpture
- soft methods of organizing obstructed means of failed communication, 2024. flaying
- rumination loop, 2024. sculpture
- transitional specimen III, 2023
- transitional speciemen II, 2023
- transitional specimen I, 2023