Orlando Estrada
Lives and works in Miami, FL
Artist statement
I combine organic and synthetic materials to build dreamlike landscapes that examine the 21st-century diasporic experience through Surrealist and Gothic lenses. Transformation is central to my practice as a material process, a spiritual principle, and a way of understanding the world. I explore how objects, landscapes, and bodies hold memory, carry intention, and become sites of encounter with unseen forces. Using discarded cardboard, polyurethane foam, 3D-printed elements, clay, reclaimed objects, and organic matter, I create allegorical environments where the natural and fabricated converge, creating a sense of interdimensionality. I shape foam over wood and wire armatures, flock surfaces with coconut fiber, and embed found and fabricated objects. Elements mounted on metal pins are driven into the sculptures, invoking African nail-adorned power figures and Caribbean folk-magic practices. These gestures transform sculpture from representation into something that holds intention, belief, and presence. By bringing digitally created objects into contact with transformed physical materials, my work reflects how diasporic people navigate between cultures, places, and systems of belief. Moving between worlds becomes a source of invention and power. Through sculpture, I construct landscapes where technology becomes ritual, materials carry psychological and spiritual meaning, and inherited histories become vessels for speculation and wonder. — Orlando Estrada
Artwork
- Dream Catcher, 2026. Mixed media
- Glory! Glory! Behold! The Terrible Beauty Of The World - or - Paradiso (A Creation Story), 2026. Mixed media and acrylic on wooden armature
- False Flag, 2026. Epoxy clay, block printing ink, glitter, vintage glass doll eyes, US currency, newsprint, shredded plastic, sea shells, artificial pearls, artificial plants, natural stones, coconut fiber, acrylic, adhesive, hardware, foam support, canvas, wood panel, artist’s frame
- The Moon Bath, 2025. Block printing ink, acrylic, glitter, graphite, and newspaper collage on tiered wood panel
- Night Time, 2025. Night Time, 2025 Mixed media and acrylic on foam, wire and wooden armature
- THE FREE INTERNATIONAL OVERNIGHT GLOBAL EXPRESS, 2024. Mixed media on foam and wire armature, PVC and steel mounting
- COFFIN DANCER, 2024. Mixed media on foam and wire armature, PVC and steel mounting
- THE UNFATHOMABLE SPIRIT OF THE NATURAL WORLD ADAPTING TO NOVEL CIRCUMSTANCE, 2024. Mixed media on foam and wire armature, PVC and steel mounting
- THE BATHHOUSE AT THE NATURALLY FLOWING HOT MINERAL SPRINGS, 2024. Mixed media on foam and wire armature, PVC and steel mounting
- Scenic Fire #1 (A Prophetic Dream), 2020. Polyurethane foam, rigid foam, wood armature, coconut fiber, epoxy clay, natural clay, acrylic, glitter, treated paper, preserved charcoal, Swarovski crystals, artificial pearls, seashells, UV pigment, hardware
- Scenic Fire #2 (The Sun), 2020. Polyurethane foam, rigid foam, wood armature, coconut fiber, epoxy clay, natural clay, plaster, acrylic, found objects, glitter, treated paper, preserved charcoal, Swarovski crystals, artificial pearls, natural pearls, seashells, UV pigment,hardware
- Scenic Fire #4 (Isolation), 2021. Polyurethane foam, plastic armature, coconut fiber, Swarovski crystals, glitter, paraffin wax, acrylic, 3D printed PLA, artificial plants, coral, moss, treated paper, prosthetic glass eye, adhesive, hardware
- Scenic Fire #5 (Man Emerging from the Belly of the Earth), 2022. Polyurethane foam, rigid foam, wood armature, coconut fiber, epoxy clay, natural clay, acrylic, found objects, glitter, treated paper, preserved charcoal, Swarovski crystals, artificial pearls, natural pearls, seashells, stone, quartz crystals, artificial plants, 3D printed PLA, UV pigment, hardware