Paloma Proudfoot
Lives and works in London
Artist statement
Using a combination of glazed ceramics with glass, metal, embroidery and natural materials such as hair, food and wax, Paloma Proudfoot explores a quiet and uneasy paradox between the human body, prosthetics and the myriad apersonal forces that infiltrate and expose our more-than-human lives. Juxtaposing the idiosyncrasies of craftsmanship with the hard-edged rhythms of factory production and soft, biomorphic forms, Proudfoot’s work produces an uncanny realisation of the limits and vulnerabilities of the human body, as well as suggesting the desire one may have to overcome or give into this sensation. Proudfoot uses sculpture as a means to explore different narratives, not just as static works but also through installations and performances with choreographer Aniela Piasecka and the performance group ‘Stasis’.
Artwork
- The Mannequins Reply , 2023. Glazed ceramic, embroidered gauze, fabric, cord, metal bolts
- Behind my flesh , 2023. Glazed ceramic, embroidered gauze, metal, wall painting, bolts
- The Three Living and the Three Dead, 2022. Glazed ceramic, bolts
- Deathspan , 2023. Glazed ceramic, rope, metal, bolts
- Grief is recognised as a friend, 2022. Glazed ceramic, copper wire, painted wood, metal bolts
- The Memory Theatre , 2022. Glazed ceramic, rope, bolts, wall painting
- There was a whispered story and a shouted one and both were true, 2022. Glazed ceramic, embroidered gauze, metal bolts, cord
- Stitches , 2022. Glazed ceramic, bolts, rope
- Drinking in my eyes (V) , 2023. Glazed ceramic, metal bolts
- A fly like you, 2023. Glazed ceramic, embroidered gauze, metal bolts
- Ambrosia , 2022. Glazed ceramic, leather cord, custard