Qinza Najm
Lives and works in New York, NY, USA
Artist statement
I am interested in the body as both medium and subject—the circumstances surrounding its physical occupation of space, the norms and laws that govern bodies as political subjects, and the uneven burden these norms often place on women and minorities. Drawing from my upbringing in Lahore, Pakistan, and adulthood in the United States, my sculptures, installations, and performances address gender, politics, and cultural power. I often use motifs of bodies stretched, deconstructed, distorted, and pushed beyond their limits. A manipulated body is a reflection of how power is exerted on our being. However, I am more interested in the depiction of human potential—an extended body claims space beyond its expected role, both physically and figuratively. In particular, I aim to raise questions about how we might transcend and combat cultural stereotypes, prejudice, Islamophobia, and racist and sexist norms
Artwork
- Veil of Bullets, 2017. Print on Aluminum (Edition of 3)
- No-Honor-In-Killing, 2017. 1100 9mm Bullets, Collected from around NYC Shooting ranges, fish net. Performance done originally at the Museum of Moving Images NYC
- Red Ahhh , 2019. Hand Painted with Acrylic on Carpet
- Claiming Space Duo, 2020. Oil on Canvas
- Klimt and Qinza, 2020. Oil on Canvas
- Him & Her, 2020. Oil on canvas
- Claiming Space, 2019. Acrylic on Archival Mylar. 11x9 inch each Installation
- Claiming space Abstracted on 4 canvas, 2019. Oil on Canvas each canvas
- Classical Canon (3 paintings shown side by side), 2018. Oil on canvas
- Story of Rashida, 2019. Three Light Boxes with each figure
- Tabdeeli Performance, 2017. Seven dancers, music created by artist. Originally performed at Queens Museum, New York
- Don't Grow Up It's a Trap, 2019. Aluminum Metal with Mirror like chrome