Rachel Schmidt
Lives and works in Washington D.C., DC, USA
Artist statement
I use site-specific mixed media installations to create future myths that explore the potential realities of the Anthropocene. I am interested in futuristic visions of a world without a natural ecosystem, where a synthetic biology governs how people relate and coexist. What role will myth play in this future world and how will the action of myth building take form and evolve? How will a vanishing ecosystem manifest itself in the awareness and scarcity of material use? In a world where the rules of the game are changing so quickly, how can artists respond quickly and nimbly to a shifting planet? I consider myself a futurist and even when I allow my imagination to speculate wildly about the future of humanity, I always seem to return to the potential realities faced by non-human life. Making art on future landscapes, climate change, and artificial habitats can be a loaded political discourse, but I have never approached it as such. I see it as an inherently human issue that impacts all of us personally and I use my installations as a way to connect through these shared experiences.
Artwork
- Pulling Back the Lace, 2019. Single Channel Video installation with chrome vinyl and printed drawings.
- Inserted, 2019. a single channel video projection and adhesive backed prints
- Cairn Sounds, 2019. single channel video projection based installation and performance space. Kevin O'Meara created the soundscape and is performing on the drum set inside the installation.
- Forget Me Not, 2019. single channel looped video projection onto lace, sheer voile, paper cast rocks, and chrome vinyl
- Trash Caim, 2019. single channel video projection, sheer voile, paper cast trash, LED lights, and soundscapes by om.era.kev
- Drifters, 2017. tissue paper cast sculptures sit on glowing LED light bases and hang from the ceiling surrounded by a tissue paper canopy. 2 looped projected videos of sharks swimming are projected onto the sculptures and across the space
- Future Myth, 2015. looped animation intended to be projected
- Ice Dreams: LA, 2016. two videos projected onto two elevator towers with the city skyline visible between them. There are glacier like sculptures spread out on the roof top that had LED lights underneath that were programmed to slowly pulse. The installation included a soundtrack created in collaboration with the band, Beauty Pill, which is the audio heard in the video.
- Nostalgia Monument: Float Trip Edition, 2017. non-biodegradable trash covered with images of manicured and natural flora, looped video projection of people on a float trip is viewed from lawn chairs with the trash spread through out the space.
- City Fields , 2015. High resolution digital print on wind resistant outdoor vinyl
- Endless Banquet, 2017. six-channel video/sculptural installation, projected through an assortment of glasses
- Ingrown, 2017. double channel projected video of a brick wall projected into the corner of a wall and onto a pile of paper cast trash.
- Tension, 2017. several flat wooden sculptures with pulsing LED lights, wall mounted sculpture has a single channel looped video projection
- Drowning, 2017. looped masked video footage projected onto hundreds of paper objects cast from plastic waste.