Raheel Khan
Lives and works in London
Artist statement
I ground my practice in archiving momentary pieces of time that would otherwise get lost, stolen or denied, hoping to find and re-define language to think about the present from the tools of the past - I’m not sure where the future fits at the moment... It’s a practice that’s embedded within the canon of research that displays sound as an object, as a physical being and as a shared experience. The murky water that sits between secular and non-secular is one I hope my research subsides in, its effect on transnationalism, and further the cultural infrastructures and policies that are built from it. Presentations often explore the tension of finding a relationship between these subjects, which I then abstract and materialise through a compositional framework I describe as machine, devotion and the acoustic. Finding the poetics within this framework is where I feel my work feels at home the most.
Artwork
- Low Toms, 2024. MDF, subwoofer driver, prayer mats, clothes tag, audio composition written by artist comprising field recordings of machinery (06:56)
- Monotony of a Waterfall, 2024. Cinema seating, multi-channel speakers, subwoofer, window with viewpoints onto Marylebone Road, audio composition written by artist comprising alto clarinet, viola and cello (10:00 on loop)
- Monotony of a Waterfall, 2024. Cinema seating, multi-channel speakers, subwoofer, window with viewpoints onto Marylebone Road, audio composition written by artist comprising alto clarinet, viola and cello (10:00 on loop)
- Pigs, 2024. Mosque carpet, gondola shelving, boot footprints, floorstanding fan, overhead projector, Al-Aqsa floorplan, Third Temple floorplan, letter, multichannel tannoy speakers, subwoofer, audio composition ‘The Lamb’ taken from The Songs of Innocence and of Experience by William Blake. Original composition by John Tavener. Re-interpreted and recorded by Raheel Khan and Eden Mcdowell (04:27 on loop)
- Pigs, 2024. Mosque carpet, gondola shelving, boot footprints, floorstanding fan, overhead projector, Al-Aqsa floorplan, Third Temple floorplan, letter, multichannel tannoy speakers, subwoofer, audio composition ‘The Lamb’ taken from The Songs of Innocence and of Experience by William Blake. Original composition by John Tavener. Re-interpreted and recorded by Raheel Khan and Eden Mcdowell (04:27 on loop)
- Compressions, 2024. Timer frame, acoustic rockwool, cotton, blackout fabric, 4 pinpoint spotlights, 2 speakers, velvet cotton upholstery, constructed netting, floor cushions, carpet, audio composition written by artist comprising alto clarinet, viola, sampled audio from shrines in Punjab, field recordings of machinery (08:34 on loop)
- Traitors, 2024. 99 names of Allah, bronze cast of man in suit, cassette player, audio composition written by artist comprising of viola, voice and drums (04:10) on loop
- Dua Al-Nasr, 2023. Performance
- Hum Drum, 2023. 8 timber frames, acoustic rockwool, cotton, 5.1 surround sound, audio composition written by artist comprising viola, voice, sampled drums and field recordings of machinery (25:00 on loop)
- I Just Know, 2023. Video (19:12)
- In Harmony, 2023. Twine string, private collection of rugs, 2 PA speakers, 2 subwoofers, harmonium, synths, drum machine
- String Motif, 2023. Luton van, polypropylene string
- White Tape Telephone Box, 2023. White tape, telephone box
- Pilgrim, 2022. Subwoofer, twine string, polypropylene string, polystyrene ball, cracked floor, audio composition written by artist comprising voice (00:45 on loop)