Rebecca Jagoe
Lives and works in Monmouth, UK
Artist statement
I am a non binary, disabled, autistic artist. My work examines how Western ideas of gender, madness, illness, and identity intersect. I structure my practice around thematic projects, and in each project, my output might encompass objects, drawing, textiles, printed texts, performance, and workshops. My editing and teaching practices are inextricably linked with my making practice and and are an extension of my desire to build community and foster collective research through artistic practice. With an interest in clothing as an extension of bodies, often my work takes the form of garments which are simultaneously sculptural object, costume, and script for performance. Garments and textiles become archival, animated, become a part of my performing body, create new performing bodies. For some time, my exploration of garments was focussed upon the capitalist extraction of biological materials such as fur, silk, pearls, snakeskin, and I wished to create garments which became almost sentient, imbued with a form of agency that refused a subordination to being a commodity. More recently, I have been looking more at embroidery as a form of archiving processual knowledge, and the disabled and mad artists who have often used sewing both as a form of creation and also catharsis. My practice often references European pre-capitalist medicine and sciences – such as medieval lapidary lore; the Emission Theory of vision; or the use of textual amulets for healing. Recently this is with a...
Artwork
- A Sicknesse, A Ston [Coral] , 2021. Single Channel Video
- Letters to Arm , 2021. Pen, ink, collage and watercolour on Arches Paper; Moire Silk, appliqué paper, marbled latex.
- A Process of Objectification, 2021. Mixed Media on paper
- How deep is your love, 2020. Performance wearing sculpture costumes (Scrofula II and Dress for a Blemmye)
- Dress for a Blemmye, 2020. Cotton canvas, silk satin, cotton embroidery.
- ON CARE , 2020. 280 pages 205 mm x 140 mm Paperback
- Red Delicious, 2019. Red Watered Silk, Cotton Calico, Applique Photocopied Paper, Glass Beads, Gold Thread, Mild Steel Stand, Galvanised Steel Chains, Bramley Apples.
- You are what you eat , 2019. Performance with Beth Bramich wearing Red Delicious
- Lick My Legs (The Talking Cure) , 2018. Marbled latex, net tulle, steel rope.
- Balmainimal, 2018. Shed snakeskin, Indian Ink, Freshwater pearls, Hog hair stuffing.
- ON VIOLENCE, 2018. 248 pages 205 mm x 140 mm Paperback
- Miu Miucus, 2018. Mixed Media on Paper
- Teratoma: Mesoderm, 2017. Latex, Freshwater Pearls.