Rebecca Spilecki
Lives and works in Wilton, ME, USA
Artist statement
My favored art-making practices are printmaking and sculpture, wherein I experiment with the media and methodologies concomitant with each. In print, I investigate structures of oppression, power, and privilege, looking at a wide array of social justice concerns regarding reproductive battles, race, trans rights, and more. Sculpturally, I generally explore the female body, in whole or in part, often focusing on reproduction, maternity, or deliberate amaternality. I tend towards solidity in physicality, towards intimate but largely asexual portrayals, frank and often unpretty. By making physical forms rife with detailed extremities and body rolls, I hope to reaffirm personhood and value in figures and choices which are consistently societally undervalued, demeaned, or degraded. Despite this, though, I simultaneously refuse to ground myself too firmly in practical reality, instead choosing either mythologizing the norm or norming the mythological. In those moments I do leave behind the body, I turn instead often to creatures unreal or extinct, trying still to ground them and offer them quieter, somehow still relatable life.
Artwork
- Incarceration: The New Slavery, 2017. Relief Print
- A Common Thread, 2020. Relief Print
- Underwater Exhale: Momentary Respite, 2021. Embossed Relief Print
- Rising: Temporary Weightlessness, 2020. Polymer Clay
- Entirely Engrossed, 2020. Polymer Clay
- Musing, 2020. Polymer Relief