Rehema Chachage
Lives and works in Vienna, Austria
Artist statement
I start with conversations, often with my mother and other members of my community, and often happening over several card games that go on until late in the night. Sometimes, these conversations take place in the kitchen while we cook. At other times, they unfold while lazing around, sunbathing in my mother’s backyard. As far as I can remember, every stage of my life has been facilitated by some level of togetherness and by processes of handing down (stories, hi/herstories, gifts, skills, names, recipes, clothes, etc.). These exchanges often unfolded within spaces I have come to recognize as knowledge spaces (the kitchen space, the backyard, the hearth, under the tree/the street corner, etc.). These are the spaces that have been integral to shaping my understanding of the world and the language through which I articulate it. Therefore, I see my practice as an ongoing act of citation and referencing, working with and alongside these spaces to honor their significance. My research-based art practice is relational in its very nature: it develops with, alongside, and toward others. It is grounded in processes of tending, remembering, and re-membering; in the everyday acts that sustain us when language fails. I draw inspiration from the context of Tanzania, which has historically been shaped by a community of togetherness—held by care, improvisation, and mutual regard—even amid the fractures that unsettle us: colonial inheritances, political ruptures, and contemporary moments...
Artwork
- Pathway IV: even within conditions of uncertainty, tunaendelea kuwepo hatupotei (we continue to exist, we do not disappear), 2026. An installation featuring corn, glass frames, text, image, drawings
- We Paused the Clouds (or an attempt to capture a conversation I/we once had with the rain clouds), 2026. An installation and gathering space featuring video, sound, images, fabric, metal, mist
- Ngae: A Mapping of an Ecosystem (excerpt), 2026. Sound/Radio work
- Out of Bone, 2025. A performance featuring sound, video, movements, images, soil, charcoal, and weaved and wooden props
- The Open Weave, 2025. 2-Channel video installation on soot paper
- Where the ashes rest, a single Marigold bloomed, 2025. An installation featuring sound, video, soot-stained paper, olfactory, weaved and wooden objects
- Nitakujengea kinyumba na vikuta vya kupitia (a home for you I will create with exit pathways) - Pathway I: A gut feeling, 2023. A performance featuring soil, straw, wood, sisal rope, text, image, paper, soot, sound
- Nitakujenga kinyumba na vikuta vya kupitia (A home for you I will create with exit pathways) - Patway II: What the soil gave us, 2023. A collective building project featuring soil, wood, rope, live radio, text, zine making, sound, music, and performances
- Nitakujenga kinyumba na vikuta vya kupitia (A home for you I will create with exit pathways) - Pathway III: Foundations are built from memory, 2023. An installation featuring soil, straw, wood, sisal rope, text, video, images, paper, and soot
- How villages form - Experiments, 2023. paper, soot, ash, sisal rope, video, sound, scent, clay, metal, text
- What the soil gave us, 2023. A series of 8 Photographs
- Notes on the paper (excerpts from processes of writing with Bibi Mkunde), 2022. paper, soot, scent, ash, stones, and video
- Notes on baking (A recipe for coming together), 2021. fabric, text, scent, wood, images, video, audio
- One up, two down, 2021. A series of 5 photographs and text
- Beloved (An ode to Mkunde), 2020. A series of 5 photographic prints and a text (text by Demere Kitunga)
- Ungo (Spaceship) - Experiments, 2020. An installation featuring two wooden sculptures, cloves, video, sound, text (text by Demere Kitunga). and sisal rope
- Scents of identity, 2019. A performance featuring cloves, scents, video, sound, a clay, wooden and a woven prop
- The land remembers, 2019. An Installation featuring soil, stones, video, text (text by Demere Kitunga), and sound