Salvatore Arancio
Lives and works in London, UK
Artist statement
Salvatore Arancio (b. 1974, Catania, Italy) is an artist based in London and Nice whose multidisciplinary practice spans video, ceramics, sculpture, drawing, collage, animation and installation. Central to his work is an exploration of images, how they produce meaning, shift across contexts and can be reframed or destabilized. Arancio treats images as fluid constructs operating across scientific, mythological and historical registers, while remaining open to imaginative interpretation, reflecting the instability of knowledge and our mediated relationship to the natural and ecological world. His practice frequently juxtaposes binaries, natural and artificial, mineral and vegetable, scientific and mythological, without resolving them, allowing objects and images to function as sites of ambiguity. Research underpins his methodology, drawing on fieldwork, archives, scientific texts, ethnography and speculative narratives, which are translated into visual systems that resist singular interpretation. Ceramics play a pivotal role in his work, functioning as vessels for memory, fantasy and transformation, referencing geological formations, ritual objects and imagined fossils. His moving-image projects blend documentary and fiction, scientific observation, abstraction, and psychedelic imagery, creating immersive environments that explore temporality, perception and ecological fragility. Arancio has exhibited internationally at institutions and exhibitions including: the 57th Venice...
Artwork
- Interstellar Generator, 2024. Glazed Ceramic
- Earth Pillars Left By Weathering Of Moraine Stuff,, 2010. Photo-Etching On Paper
- Their Eyes Have No Lids, 2019. Dual Screen 4K Video. Stereo Sound, Glass, Felt. Wool, Unglazed Ceramic. Straw. Wood, Dimension Variable
- It Was Only A Matter Of Time Before We Found The Pyramid And Forced It Open, 2017. Glazed And Unglazed Ceramic, Epoxy Resin
- Fashioned To A Device Behind A Tree, 2015. Glazed Ceramic Performance, Sound, Variable Dimensions
- Bruno's House, 2024. Glazed Ceramic
- Die Letzen Auslafer, 2022. Oil Pastels On Paper And Collage
- Le Rayon Vert, 2024. Oil Pastels On Paper
- La Douceur De L'eau Du Doux (40.000 M2 - 70 Salariés), 2023. Cotton, Viscose Wool, Polyester, Polyamide
- We Don’t Find The Pieces, They Find Themselves , 2021. Glazed And Unglazed Ceramic
- Pleurotus Ulmarius, 2015. Archival Inkjet Print On Paper Mounted On Dibond, Wood, Perspex
- Mineral Being #25, 2025. Paint On Printed Paper